TSJMajesty
Rock Star
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1) I'm playing 2 16th notes followed by an 8th note: dududah, dududah, etc. (alt-picked, 130-150 bpm)
2) Play 3 16th notes and a 16th rest. Same exact picking, but you get the rest by choking the 3rd note with your fretting hand.
When I play either example above, I try to keep my alternate picking motion consistent, and in the 2nd example, just lift, or slant, the pick slightly, so as to not actually play a 4th 16th note, and have my pick ready for the next downstroke.
But when I do the 2nd example, my brain wants to tell my picking hand to STOP after playing the 3rd note, at the same time it's telling my fretting hand to mute the string, and then I have to rush to get my pick back into position to hit the downstroke to start the pattern again, and my timing suffers.
I realize that in both examples, my picking strokes should never change. Just add the fret-hand mute.
But then I thought, What about doing the 1st 3 notes, down/up/down, stop, then, up/down/up. Repeat. But I'm much more fluid playing 3 alt-pick strokes, when I start with a downstroke, than the reverse of starting with an upstroke. But it seems like it would help.
So which would you do, and why? (There's a deeper question coming later)
And here's another scenario:
This is from Dream Theater's Fatal Tragedy. I find it easier to keep my downstroke aligned with the '1' and the '&' of the beats, and keep my upstrokes aligned with the 'e' and the 'a' of the beats (counting 16th notes, 1e&a, 2e&a, etc.) Which means essentially, I keep a consistent alt-pick going, clear the string during the rest stroke, and get the fret hand mute in-time. But again, I thought about playing it by stopping my pick motion at each rest, so I wouldn't have to bother clearing the string, and the signal my brain is sending to my hand to mute the string (input: STOP) wouldn't "conflict" with the one telling my picking hand to KEEP MOVING.
So which do you use? Stop your pick motion at a rest, and just resume on whichever stroke was next in line, thus meaning the accents occur on alternating pick strokes..., or keep your pick moving at all times?
And this applies only to rests that are the same amount of time as the notes. If it were 2 16th notes followed by an 8th rest, that's a totally different scenario/feel sort of thing. (And may show up as a new question later in the thread!
)
TIA
2) Play 3 16th notes and a 16th rest. Same exact picking, but you get the rest by choking the 3rd note with your fretting hand.
When I play either example above, I try to keep my alternate picking motion consistent, and in the 2nd example, just lift, or slant, the pick slightly, so as to not actually play a 4th 16th note, and have my pick ready for the next downstroke.
But when I do the 2nd example, my brain wants to tell my picking hand to STOP after playing the 3rd note, at the same time it's telling my fretting hand to mute the string, and then I have to rush to get my pick back into position to hit the downstroke to start the pattern again, and my timing suffers.
I realize that in both examples, my picking strokes should never change. Just add the fret-hand mute.
But then I thought, What about doing the 1st 3 notes, down/up/down, stop, then, up/down/up. Repeat. But I'm much more fluid playing 3 alt-pick strokes, when I start with a downstroke, than the reverse of starting with an upstroke. But it seems like it would help.
So which would you do, and why? (There's a deeper question coming later)
And here's another scenario:
This is from Dream Theater's Fatal Tragedy. I find it easier to keep my downstroke aligned with the '1' and the '&' of the beats, and keep my upstrokes aligned with the 'e' and the 'a' of the beats (counting 16th notes, 1e&a, 2e&a, etc.) Which means essentially, I keep a consistent alt-pick going, clear the string during the rest stroke, and get the fret hand mute in-time. But again, I thought about playing it by stopping my pick motion at each rest, so I wouldn't have to bother clearing the string, and the signal my brain is sending to my hand to mute the string (input: STOP) wouldn't "conflict" with the one telling my picking hand to KEEP MOVING.
So which do you use? Stop your pick motion at a rest, and just resume on whichever stroke was next in line, thus meaning the accents occur on alternating pick strokes..., or keep your pick moving at all times?
And this applies only to rests that are the same amount of time as the notes. If it were 2 16th notes followed by an 8th rest, that's a totally different scenario/feel sort of thing. (And may show up as a new question later in the thread!
)TIA
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