Quad Cortex Mini

[SonicBlue]

Have you tried the Matt fig Plex?

I have a couple of his V2 profiles including the Plex. I like the plex profiles better through a guitar cab than through monitors. I have found the BE and Jose profiles better through monitors but it could also be the IR I am using. Honestly I have not even touched the cabs in the QC at all. I have just been using a single IR that I know and really like which is a blend of a Greenback and v30.

I also really like his new Zwreks profiles.

Just make sure you check your levels as I have had to pull the volume back a bit on all of them but I think they sound and feel great.

 

[Jkist7]

Man I'm still waiting on mine to ship :/

 

[Whizzinby]

How's everyone doing with this now? Honeymoon period still going strong or do you think you've settled in with it?

 

[Whizzinby]

I am loving mine. No tweaking and just getting some great sounds and am getting there in a bunch of different ways. Amp models, captures-some free and some paid-big fan of Matt Fig's V2 DI captures and the SLO plug in. I have about 5 or 6 different core amp tones set and am just enjoying playing. Modellers have always been a challenge for me as it was just constant tweaking not with the QC now.

Nice. Being quick and simple to use on-device is a real bonus.

I haven’t made it past about 5-6 models and test driving effects.

Really digging the Dumble and 2203 atm.

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Made it to the synth today which is deceptively cool. I need to go back and rewatch LT’s video on tweaking it. Anyone know what, if anything else, will be in the full Rabea version of it?

I’m itching like crazy to get the Misha microcosm/laser stuff in the device, but I’ve been down the path of expectation with Neural before, so not doing that again. Whenever that arrives, it will be cool as hell.

Only thing I wish was a little better is parallel routing. It’s easy to get a dry + parallel delay & reverb on FAS, which you can kill dry and use output level to taste in the blocks. It’s tricky on the QC because you have to route out path 1/2 for dry, and create a split before that output to route to 3, then drop parrallel reverbs and delays in rows 3/4. But not all delays and reverbs have output levels in the block… so it’s tricky. I’m sure I need to throw in a mixer block after the delays/verbs. This is one of those things where the infinite grid of FAS pays off.