old man sets up old man pedalboard.

IMG_4316.jpeg

Old man pedal paddle board.
 
43 here, still feeling "old" although my brain seems to be stuck in high school. 😂

That said, I believe you gotta keep your crazy to stay fresh. Anything else is boring.
 
dafuq is "post rock"?

I have been trying to "just" use a pedalboard like that, for ages. And then I miss my Wah. And then I miss my wireless. And then my singer wants to play a cowboy chord song a half step down, and I miss my HX Poly Capo . . . :rofl
 
dafuq is "post rock"?

I have been trying to "just" use a pedalboard like that, for ages. And then I miss my Wah. And then I miss my wireless. And then my singer wants to play a cowboy chord song a half step down, and I miss my HX Poly Capo . . . :rofl

hahaha.. especially cause rock still exists, right? :LOL:

fortunately i havent got a singer to worry about, myself- but its pretty great how flexible even this dumb spread is over multiple amps!
 
dafuq is "post rock"?

I have been trying to "just" use a pedalboard like that, for ages. And then I miss my Wah. And then I miss my wireless. And then my singer wants to play a cowboy chord song a half step down, and I miss my HX Poly Capo . . . :rofl

hahaha.. especially cause rock still exists, right? :LOL:

fortunately i havent got a singer to worry about, myself- but its pretty great how flexible even this dumb spread is over multiple amps!

as a "post-rock" enthusiast its heart warming to see it mentioned like this. As i recall a new york journalist back in the days... bla bla bla...

here you go, AI version



The term post-rock was coined by English music journalist Simon Reynolds in a 1994 Mojo magazine review of Bark Psychosis’ album Hex

. It describes music that uses traditional rock instrumentation—guitars, bass, drums—to create non-rock, atmospheric, or electronic-textured sounds, focusing on timbre rather than traditional riffs

.
Origins and Key Details:
  • Definition: Initially defined by Reynolds in The Wire (1994) as using rock instruments to create non-rock purposes, such as texture, timbre, and atmosphere

    .
  • Earliest Use: While Reynolds popularized it in 1994, he later acknowledged the term had floated around since the 1970s and 80s to describe avant-rock, including a 1975 article by James Wolcott .
  • Influential Artists: Bands often associated with the origin of the sound include Bark Psychosis, Talk Talk (Laughing Stock), Slint, and Tortoise

    .
  • Characteristics: It represents a shift away from verse-chorus-verse structures, often resulting in instrumental, longer compositions that blend elements of ambient, jazz, and experimental music

    .
Though intended to describe a specific style, the term became a broad umbrella label for bands exploring the intersection of rock and electronic/symphonic soundscapes

.
 
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