NSMFD

That was a shredder amp back in the day, used by Vinnie Moore, Kotzen, Jason Becker and Gilbert IIRC.
I'm pretty sure Tony Iommi used one before they did his signature amp, and Matt Pike from Sleep used one on Holy Mountain as I recall. They've got a big following in the stoner doom community. Where the hell I sit amongst that I have no idea, but what I can tell you is, I could see myself using this and a switcher unit with a bunch of pedals, one of them being a pedal attenuator to get a clean from it.

It sounds so good smashing the front-end (ooooo errrr misssus!) with ambient effects too.
 
i cant really say they were amps used by much of anyone but the few folks i knew out in western pennsylvania in the late 80s and early 90s. :lol: but i bought mine full of telefunkens in 1992 for $400. you saw a lot more of the earlier protubes than aors, and i dont think i ever met anyone else with one like mine! still never had an amp that went into singing feedback anywhere near as well.
 
Guitar > Tumnus Deluxe > Boss SD-1 > Boss DM2w

But at first, they're all disabled. Then I go through each one. I swear down this amp really brings out the differences in boosts much more than a higher-gain thing does.
Nice, yeah all I needed to hear was the beginning. Now I'll go back.

That's the thing I always liked cranked with pedal, way more than pedal platform or high gainers.
 
My first tube amp was the Laney AOR 3012-II closed back combo. It was so fucking loud that it was impossible to use at home so it got sold pretty quickly. In hindsight, I wish I hadn't!

Congrats on the new amp!
 
i cant really say they were amps used by much of anyone but the few folks i knew out in western pennsylvania in the late 80s and early 90s. :lol: but i bought mine full of telefunkens in 1992 for $400. you saw a lot more of the earlier protubes than aors, and i dont think i ever met anyone else with one like mine! still never had an amp that went into singing feedback anywhere near as well.
It's funny how it's a generational thing.
For me, plus being in Europe my first band was in 79 and I had a 72 Super bass. That I first used a treble boosters in front of then got it hacked.
The stuff I liked back then were Hiwatts. Sound Cities, Park and of course metal panel JMPs

By the time 800s came around the only use I had for it was for the wer return of the delay.

I didn't play anything but that stuff til I moved to LA in 87.
Oh there was also a GK 250 in there some time.
 
It's funny how it's a generational thing.
For me, plus being in Europe my first band was in 79 and I had a 72 Super bass. That I first used a treble boosters in front of then got it hacked.
The stuff I liked back then were Hiwatts. Sound Cities, Park and of course metal panel JMPs

By the time 800s came around the only use I had for it was for the wer return of the delay.

I didn't play anything but that stuff til I moved to LA in 87.
Oh there was also a GK 250 in there some time.

haha.. aint it so.
:LOL:
i started banding in 1992 with that laney- and it was as close as i could come to the sorta recently released mesa mark iv, but id say most folks i knew were still rockin bassmans, twins, or maybe 800s if they had more money. if they had less it was a motley assortment of solid state peaveys and whatever made you loud enough
:LOL:
 
1775815612145.png

1775815635856.png

1775815650885.png


FOR ALBION!!!!
 
Back
Top