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"Technical documentation."40 of them might have been on the film crew
"Technical documentation."40 of them might have been on the film crew
If I'm not mistaken, the price went down... and then back up again.I read alot of dissatisfaction about the QC and with the initial price it wasn't a strong consideration for me.
Trying to read between the lines here: are you already using and satisfied with Helix? If so, there's no pressing need to move on to QC.When all the plugins are ported, and at the new price, I will take a look at the effect list and the latency and see if it is the best offering. I suspect before that happens there will be a new generation Helix, which will be almost impossible to ignore.
I used the editor all the time when I had a Helix too.Every fractal devotee uses the PC editor, at that point they might as well be using Amplitube/ToneX or NDSP plugins.
Zoom G11If I'm not mistaken, the price went down... and then back up again.
Trying to read between the lines here: are you already using and satisfied with Helix? If so, there's no pressing need to move on to QC.
Personally, as much as I loved the Helix UI and workflow, I found the QC significantly better on both counts. And I immediately preferred the sound of the amp and cab sims. But that's just my own personal taste. And having said that, QC offers a lot less in the way of effects variety, if that's an important point for you.
I don't foresee any of this changing much in this product cycle. So if you're still curious about QC, better to order one, kick the tires yourself, and decide whether to keep it or send it back, rather than waiting for new plugins or whatever.
That's what Shredder777 is rocking?Zoom G11
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Realistically some things are just more straightforward to do on an editor regardless of what you use.Absolutely! The interface is why I have not seriously considered fractal. Every fractal devotee uses the PC editor, at that point they might as well be using Amplitube/ToneX or NDSP plugins.
Seriously, I don't mean to diss the Zoom, or anything else. I think it's all cool stuff. If the G11 meets your needs interfacing with real amps, perfect - especially if your approach tends to be "set and forget". The main added value of QC for someone like you would be that it makes re-configuring much easier when you start changing up your routing for different rigs.A few years ago I got a deal on a Zoom G11 and have been very satisfied with that. It has limitations, but it will tide me over until the next generation. I am currently using it with an IR-X, considering adding a ToneX pedal, and am also looking at the UA and TC pedals to add different flavors. My primary use case for a hardware modeler is to use it as a harness for real amps/RL to control switching, add IRs, and effects.
I'm more inclined to audition real amps for use in my basement before spending 2K on an mfx, when my computer can do everything just as well. A MFX for me is mostly a midi switching hub, with flexible loops, and the ability to layer IRs and effects for real time monitoring while I record the DI for later reamping.
I tried to love the GT1000 but hated the interface. I dislike the Helix tones compared to the others, but assume they will fix that in the Helix2 and give it latest gen conversion.
The Quad Cortex looks great, but so does the TMP. The Helix2 is likely to be a superstar when it releases, so I'm not in any rush.
If I could find one cheap; I'd give it a go If it had an amp channel switching jack; even more soI know right?
In its defense, it has a cleaner signal path (better conversion) than most. The loops do not color the audio. The loops can be split (send A, return B) and positioned anywhere. The latency is slightly better than the Helix. It takes no assigns or hidden programming to get foot switching. You can type patch names in and drag/drop organize patches and banks. It has virtually instant patch switching. It reduces the mental stack so you can focus on other things.
I'm not sufficiently familiar with the G11 or how you're using to answer that question. The only thing I'm confident saying is that reconfiguring the QC when you change applications (i.e. the way the rest of your rig is integrated) will be easier.What does it do in this regard that another processor like the G11 can't?
That all sounds pretty great. I may be underestimating the G11.I know right?
In its defense, it has a cleaner signal path (better conversion) than most. The loops do not color the audio. The loops can be split (send A, return B) and positioned anywhere. The latency is slightly better than the Helix. It takes no assigns or hidden programming to get foot switching. You can type patch names in and drag/drop organize patches and banks. It has virtually instant patch switching. It reduces the mental stack so you can focus on other things.
Some place called Gear4Music.com has them at $580, which is about $200 cheaper than anywhere else.If I could find one cheap; I'd give it a go If it had an amp channel switching jack; even more so
Amp channel switching and $280 and we have a deal!Some place called Gear4Music.com has them at $580, which is about $200 cheaper than anywhere else.
Workflow stuff like this can only really be appreciated with hands-on time. And it won't necessarily benefit you.Reconfiguring the QC when changing configs... how it is easier? I will have to take a look at the manual to maybe understand what you are saying. The Zoom has two programmable loops that can be split and positioned anywhere. Any configuration has to be saved in its own patch because there are no split paths.
Well, if the price isn't prohibitive for you, maybe give it a try. Sweetwater will give you 30 days to make up your own mind.Those are the kinds of things I care about.
THESE JOKES DONT WRITE THEMSELVES!!40 of them might have been on the film crew
Except w NDSP to be fair they kind of doTHESE JOKES DONT WRITE THEMSELVES!!
That can be a slippery slopeBiding my time. QC will continue to add amps. As will TMP. Helix2 may release. No urgent need or desire to upgrade.
The other issue with this attitude is that what is fun/funny while working 60-70 hour work weeks is, in the cold light of day to someone not there working those 60-70 hour work weeks with you...really, really weird. Always. The work war stories are only funny to the people that were in the trenches fighting the battle with you.I think this statement is true and quite telling:
“...But at the same time, us as individuals, we love to have fun, and do goofy, silly things sometimes. Why would you work 60, 70 hours a week if you’re not having fun?”
The problem is being goofy and silly can wear on folks after a while.
Absolutely! The interface is why I have not seriously considered fractal. Every fractal devotee uses the PC editor, at that point they might as well be using Amplitube/ToneX or NDSP plugins.
This is utter bullshit. I and plenty of others around here haven’t touched the PC editor in months.. Every fractal devotee uses the PC editor,