Shask
Roadie
- Messages
- 287
My Axe 3 has been on fx only duties ever since.
Do you run straight through the Axe 3, or run it with a parallel mixer?
My Axe 3 has been on fx only duties ever since.
I have tried both. I prefer to use a mixer but it’s not bad in the X88 loop . If I run WDW I keep the dry analog and use a Matrix gt1000 to power the wet through my F12 X200 cabs. For quite every day play I go from the XLR outs and use the IRs and the power amp sim but still through the vht and then to my F12 X200cabs. Even with the digital end in use it destroys any modeller for interaction and dynamic play.Do you run straight through the Axe 3, or run it with a parallel mixer?
I use two for stereo.While obviously not a 19” rack-mount unit, i have had much success with the Suhr MiniMix 2.
I use it with my tube amps serial Effects Loop, to convert it to a parallel path, so i can use my Lexicon PCM70 or PCM92 (running them 100% Wet mix).
Works beautifully, built like a tank, and keeps your signal pristine. It also features an isolation transformer.
View attachment 61877
I was curious because I use my Axe 2 or FM3 in a parallel mixer loop after my Syn-2. Going straight through does something to the dynamics I don't like.I have tried both. I prefer to use a mixer but it’s not bad in the X88 loop . If I run WDW I keep the dry analog and use a Matrix gt1000 to power the wet through my F12 X200 cabs. For quite every day play I go from the XLR outs and use the IRs and the power amp sim but still through the vht and then to my F12 X200cabs. Even with the digital end in use it destroys any modeller for interaction and dynamic play.
While obviously not a 19” rack-mount unit, i have had much success with the Suhr MiniMix 2.
I use it with my tube amps serial Effects Loop, to convert it to a parallel path, so i can use my Lexicon PCM70 or PCM92 (running them 100% Wet mix).
Works beautifully, built like a tank, and keeps your signal pristine. It also features an isolation transformer.
View attachment 61877
You’re right but it’s no worse than any other unit.I was curious because I use my Axe 2 or FM3 in a parallel mixer loop after my Syn-2. Going straight through does something to the dynamics I don't like.
Everyone always says " But modern converters are so good you will never notice the difference..." but I still notice.You’re right but it’s no worse than any other unit.
Oh you will notice. The worst are Strymon for fucking up your dry tone. The eq curve changes on the dry when you turn it on.Everyone always says " But modern converters are so good you will never notice the difference..." but I still notice.
My best units for this are my old Rocktron units since they have an analog mixer built in.
Oh you will notice. The worst are Strymon for fucking up your dry tone. The eq curve changes on the dry when you turn it on.![]()
I would use one of those, but it don't do stereo. I use a Samson SM-10 rack mixer.
I use two for stereo.

I agree about the dynamics but it isn’t transparent either you can definitely hear it too.For me it is not really an EQ thing. As far as frequency response, I find Fractal to be transparent. It is a dynamic thing. It just seems less punchy, almost like it runs through a compressor. I really notice it in the bass and big chugs. They punch less and the bass kind of blurs together, which makes the pick attack smoother. Once I heard it I couldn't un-hear it. It drives me crazy.
Yes full stereo. Two channels and two cabs ,three when I set up WDW . I use my Axe fx rig as the wet when wdw but that is with my Diezel VH4. I also have a small front end analog board that has a dynacomp , phase 90 , klon and tc chorus on it but that should be in the loop really.Gents, what are you using with your stereo FX processors? I guess I never really thought about it much, as I have always had tube amp heads with (non-stereo) Series Effects Loops. Even when using a "stereo-capable" rack effects unit, I would always just use reverb or delay in Mono -- that is, Mono return to amp's FX Return, and then, obviously to a single guitar cabinet.
So, do you all have a stereo power amp? I do see that the Soldano X88-IR is a stereo preamp. My Lexicon PCM-70 is not stereo, but my newly acquired PCM-92 is a true Stereo effects unit.
Doggonit, now another reason to think about the Soldano X88-IR...yeah, that's the ticket...the new PCM-92 demands it!![]()
I don’t care they sound like shit.Don't make me post the Strymon graphs again....
That's a perfectly logical take.I don’t care they sound like shit.
I hook it up in a few ways, but yeah, stereo poweramps and a pair of 412 cabs.Gents, what are you using with your stereo FX processors? I guess I never really thought about it much, as I have always had tube amp heads with (non-stereo) Series Effects Loops. Even when using a "stereo-capable" rack effects unit, I would always just use reverb or delay in Mono -- that is, Mono return to amp's FX Return, and then, obviously to a single guitar cabinet.
So, do you all have a stereo power amp? I do see that the Soldano X88-IR is a stereo preamp. My Lexicon PCM-70 is not stereo, but my newly acquired PCM-92 is a true Stereo effects unit.
Doggonit, now another reason to think about the Soldano X88-IR...yeah, that's the ticket...the new PCM-92 demands it!![]()