Nope, it was my Old Man Strat-
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That was actually a catalyst for getting the idea to check out an LP, the ad I got the Strat from said something about it being large or uncomfortable for those who prefer a skinnier neck, I assumed I was going to shave it down until I played it and I REALLY fell in love with it. Once I was sold on that I started getting the itch to check out some LPs as most of my previous LP experiences involved thicker necks, aside from one early 90’s Studio that had the tiniest neck I’ve ever seen on an LP (ebony board, too, that was a killer guitar).
The Orville has some meat but nothing compared to that beast above. The Edwards is a little thicker so I’m assuming the Orville is the 60’s slim taper? I’m not familiar enough with Gibson neck shapes.
Without getting all EJ-neurotic, I was playing that Strat last night and had a passing thought on how much “tone” was the result of the neck. It could just as easily be the way it fits in my hand that provides support for my finger tips making better contact with the strings, I dunno, I definitely can’t clarify it, but there does feel like there’s something ‘more’ with that neck, I just can pinpoint what. I’m buying everything I need to re-fret it as those tiny vintage frets are pretty well beat to shit now.