Have you sold any pedals lately?

Now that I’ve got my selection picked out for my pedalboard and having changed course after buying some stuff, I’ll have a few to get rid of. I generally think of pedals as ‘cheap and you’ll never know when you need it, not worth the hassle of selling’ but I’m going down the Vibe rabbit hole and that can get pricey…in addition to the new Fuzz Face addiction.

That was a good run from August-last weekend of buying pedals every couple days/weeks, the most I’ve ever accumulated pedals in that amount of time in my life, but it was fun!

Yeah, I do like to keep things around even if they're not currently used much and selling pedals and gear can definitively be a hassle. But there's a balance somewhere. Selling the items listed above funded gear I do appreciate more, like my AM4 for instance. And honestly, for most of the items on that list, I actually sold for a higher price than I bought.
 
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Here's a complete list of pedals that I sold on gave away to friends over the last 20 years:

Acorn Solid State Preamp
Arion Parametric EQ
Artec SE-ADL Analog Delay
Azor Reverb
Behringturd Ultra Tremolo
Bespeco Volume Pedal
Boss CE-5
Boss DS-2
Boss RC-20 XL
Caline Mellow Drive
Danelectro Fish & Chips EQ
Danelectro Transparent Overdrive V2
Danelectro Wasabi Delay
DOD FX65 Stereo Chorus
DOD FX86 Death Metal
DOD Mini Expression
Fulltone Fat Boost FB-3
EHX Chill Switch
EHX Frequency Analyzer (1970's)
EHX Germanium 4 Big Muff
EHX Holy Grail XO Series
EHX Little Big Muff Pi
EHX Memory Toy
EHX Pulsar XO Series
EHX Random Tone Generator
EHX Satisfaction Fuzz (JHS Mod)
EHX Small Stone XO Series
EHX Stereo Memory Man (Trapezoid)
EHX Switchblade
Fame Noise Gate
Ibanez PQ-9 Parametric EQ
Idiotbox Ron Swanson Superfuzz
Keeley Fuzz Bender
Line 6 POD X3
Lovepedal Bone Tender
Mooer Black Secret
Mooer Lo-fi Machine
Mooer Pure Octave
Mosky Golden Horse
OBNE Pardner Fuzz
ProCo Turbo Rat
TC Electronics Ditto X2
TC Electronics Spark Mini
TC Electronics Sub'n'up Mini
Tone City Tiny Spring
ZVEX Fuzz Probe
ZVEX SHO Vexter Series

The only one I seriously regret is the Ibanez PQ-9, it was in pristine condition and I paid 50€, these days they're rare AF and usually go for 300€ or more.
 
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1st sale of the year, Mosky LM741. Just wasn’t my bag baby!
Edit: Voodoo Labs Sparkle Drive just before Valentines….
 
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Here's a complete list of pedals that I sold on gave away to friends over the last 20 years:

Acorn Solid State Preamp
Arion Parametric EQ
Artec SE-ADL Analog Delay
Azor Reverb
Behringturd Ultra Tremolo
Bespeco Volume Pedal
Boss CE-5
Boss DS-2
Boss RC-20 XL
Caline Mellow Drive
Danelectro Fish & Chips EQ
Danelectro Transparent Overdrive V2
Danelectro Wasabi Delay
DOD FX65 Stereo Chorus
DOD FX86 Death Metal
DOD Mini Expression
Fulltone Fat Boost FB-3
EHX Chill Switch
EHX Frequency Analyzer (1970's)
EHX Germanium 4 Big Muff
EHX Holy Grail XO Series
EHX Little Big Muff Pi
EHX Memory Toy
EHX Pulsar XO Series
EHX Random Tone Generator
EHX Satisfaction Fuzz (JHS Mod)
EHX Small Stone XO Series
EHX Stereo Memory Man (Trapezoid)
EHX Switchblade
Fame Noise Gate
Ibanez PQ-9 Parametric EQ
Idiotbox Ron Swanson Superfuzz
Keeley Fuzz Bender
Line 6 POD X3
Lovepedal Bone Tender
Mooer Black Secret
Mooer Lo-fi Machine
Mooer Pure Octave
Mosky Golden Horse
OBNE Pardner Fuzz
ProCo Turbo Rat
TC Electronics Ditto X2
TC Electronics Spark Mini
TC Electronics Sub'n'up Mini
Tone City Tiny Spring
ZVEX Fuzz Probe
ZVEX SHO Vexter Series

The only one I seriously regret is the Ibanez PQ-9, it was in pristine condition and I paid 50€, these days they're rare AF and usually go for 300€ or more.

What can you tell me about the Pardner? I’ve been really curious about it.

Is the fuzz all splatty/synthy or can it get into fuzz face-ish or tonebender-ish territory?
 
What can you tell me about the Pardner? I’ve been really curious about it.

Is the fuzz all splatty/synthy or can it get into fuzz face-ish or tonebender-ish territory?
Unfortunately that's the reason I sold it. I love parallel drive/fuzz setups, and while the idea behind the Pardner is awesome, the fuzz circuit is much too synthy and weird. FF or Bender sounds are impossible to pull off. ☹️
 
Unfortunately that's the reason I sold it. I love parallel drive/fuzz setups, and while the idea behind the Pardner is awesome, the fuzz circuit is much too synthy and weird. FF or Bender sounds are impossible to pull off. ☹️

Bummer, that’s what I was worried about :confused:

I wish someone would make something like that with a Bender fuzz!
 
In 2026, I sold :
Hall of Fame 2
Holy Grail
Mooer GE150 Pro

And still on sale :
POG 2007
Big Muff 2007

To finance Plethora X3 and Ampero 2 Stomp.
 
In 2026, I sold :
Hall of Fame 2
Holy Grail
Mooer GE150 Pro

And still on sale :
POG 2007
Big Muff 2007

To finance Plethora X3 and Ampero 2 Stomp.

Is that a V1 POG?

What a true gem!!! Depending on where you're based you could make a good bit of money with that, although regrets are very likely - you sure you wanna sell it?

I bought one via Reverb from France last year, I'm in Austria and over here they're quite expensive compared to the US. Pristine condition, including shipping I forked out 400€.

Keep in mind it's the first polyphonic octaver and the last ever new EHX Trapezoid release (not counting limited NHS collabs etc). Definitely a milestone with historic value. ♥️
 
Is that a V1 POG?

What a true gem!!! Depending on where you're based you could make a good bit of money with that, although regrets are very likely - you sure you wanna sell it?

I bought one via Reverb from France last year, I'm in Austria and over here they're quite expensive compared to the US. Pristine condition, including shipping I forked out 400€.

Keep in mind it's the first polyphonic octaver and the last ever new EHX Trapezoid release (not counting limited NHS collabs etc). Definitely a milestone with historic value. ♥️
Yes, it's a V1. Honestly, I did not use it since 2019. I barely play guitar now.

I bought it in 2007 because I wanted to sound like Jack White or Omar Rodriguez Lopez. Guess what, I'm only a tiny fraction of the guitarists they are. So even with the same gear, I don't sound the same. I would have as much fun with a simple Mooer Purer Octaver or a Sub N Up.
 
Yes, it's a V1. Honestly, I did not use it since 2019. I barely play guitar now.

I bought it in 2007 because I wanted to sound like Jack White or Omar Rodriguez Lopez. Guess what, I'm only a tiny fraction of the guitarists they are. So even with the same gear, I don't sound the same. I would have as much fun with a simple Mooer Purer Octaver or a Sub N Up.

Sub'n'up is alright at best, nothing to write home about.

Mooer Pure Octave is literally crap. If anything, either grab a used Tender Octaver MK1 (if the price is good) or a MK2, even though it's not as nice.

If you're after affordable poly octave, I'd recommend EHX. Nano/Micro/Pico POG.
 
Sub'n'up is alright at best, nothing to write home about.

Mooer Pure Octave is literally crap. If anything, either grab a used Tender Octaver MK1 (if the price is good) or a MK2, even though it's not as nice.

If you're after affordable poly octave, I'd recommend EHX. Nano/Micro/Pico POG.
Purer Octaver is an upgrade of the Pure Octave, quite recent. I missed a 60€ Tender Octaver Mk1 last week... I'm going cheap now, so no more EHX pedal (I might sell my Memory Man Hazarai someday).
 
Purer Octaver is an upgrade of the Pure Octave, quite recent. I missed a 60€ Tender Octaver Mk1 last week... I'm going cheap now, so no more EHX pedal (I might sell my Memory Man Hazarai someday).
Ouch, 60€ woulda been a steal!

Thanks btw, didn't know the Purer Octaver existed.
 
This is a timely thread for me, and I'm enjoying reading all your interesting stories and great lists.

Over the years, I've amassed a fairly large collection of pedals and I have been considering thinning out their numbers. First off, I guess I have too many distortion, fuzz and overdrive pedals, and truth be told I rarely use most of them. For practical purposes, a late 1980s RAT gives me what I need. I also have far too many delay pedals, even though I only use them sparingly. And, in going through my collection of delays, I realized that tape delays are the most fun and interesting, not emulators but the mechanical tape devices. Maybe because my first delay in the 1980s was a Space Echo.

So a project I'll work on this year is to sell distortion and delay pedals. Here's most of the delays:

delays-forum.jpg


The delays are all in one place for the purpose of playing them to decide which to keep and which to sell. I'll also do that with the distortion pedals, and others when the time comes. Some of these delays I bought without trying them, based largely on reputation (and online recommendations!). A few of these are part of a collection of pedals from the same company. For example, the two mini Guyatone delays are part of a near complete collection of all the pedals in that line, which makes it more difficult to cull some. Same with the Pearl pedals, in fact I think I have all of those. Others are there for potential use, for example the Head Rush or Mystery Brain. And this raises another point.

For gear, some are tools and others are toys, some are held for potential use value while others for what might be called their quirk value. I have a hard time differentiating among them, so thought of playing each for a while to help me decide. I gig only sporadically and rarely record, so the tool use value could be easily determined; the quirk value or completist impulse are more challenging to me.

I suppose one factor in this dilemma is the question of "joy." Although she back-pedaled a bit after having a child, Marie Kondo posed a question to help readers to declutter their lives: Does it spark joy? If it doesn't let it go. Seems easy. Sometimes, when I walk into my music room, I can honestly say that the presence among all of these pedals (and guitars, amps, etc.) does indeed still spark joy.

But I'm going to keep moving toward thinning the collection because at some point, we have to let it all go. After helping with cleaning out my parents' house after they passed away (may they both rest in peace) I found out about how much work it can be to look after someone else's stuff. My younger brother is more practical, he just brought in an estate liquidator and let them do it. But I'm not sure, personally speaking, about leaving all that till the end (much less to someone else), and since there is the element of joy attached to the gear, I'd like to try another approach. I'm thinking about how it would be for me, while I'm still here, to give all that gear a conscious, loving--and joyful--farewell.

Having recently retired from a full-time job, I am in the process of cleaning out an office that I had for 20 years. It struck me that all the stuff I accumulated in there (mostly books, some physical media). Might be an opportunity to spark joy for someone else. So I invited in my students to pick through the books and take what catches their fancy. It worked really well! I made tea and coffee, brought some snacks, and we talked about the books. Objects have stories, and half the fun of having it is telling the attached story, which I found works well to help letting go. And then I started bringing in other stuff from home, CDs, DVDs, posters, textiles, etc. that I had accumulated over the years. It turned into a joyful experience for me, and for the students as well. It was a loving sendoff for it all.

That helped me realize that letting go may be the most difficult part of getting rid of stuff. The easy part, for me, is the actual selling, gifting, etc. For selling, I have a friend who runs an online auction shop and he has already sold some gear for me. I drop stuff off, and he does all the listing, packing, shipping for a cut of the selling price. Most things were gone and paid within two weeks. But the joy question from my office experience made me think that I might also enjoy giving away some gear to my students, many of whom are wonderful musicians. Maybe, sparking joy for another person, from a certain point of view, can be a way to feel joy for oneself, so I'm looking forward to give that a try.

This is getting verbose, so I'll end here. I wish you the best in your adventures with the joys of stuff!
 
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