EHX getting into the mega verb game.
Great player but always has this vibe of having a secret and you're never going to learn it.I don't like Bill Rupert's videos to be honest. Everything he does just smells of 1970's lounge bars. Hate it.
Pretty poopy sounding shimmers from this.
I don't really have any issues with sliders on pedals.Very nice concept. Not really a fan of the sliders though.
Probably just stick with the Illumine. Kicked Strymon to the curb for me.
I’ve had my Illumine about two years. I had the Immerse MKII before it and really liked it. That led me to be interested in the Illumine.I don't really have any issues with sliders on pedals.
The very few that I have with sliders (Walrus Sloer, BOSS EQ-200) still seem to be going strong, without any dirt build-up, noise, or dependability issues (so far, at least); so I guess I've been fortunate. But I'm fanatical about keeping my pedals clean (have too many thousands invested in them, not to), and I've been using make-up brushes (of all things) to remove debris from the pedals, before it ever has a chance to wreak havoc on them (and it's a lot quicker, using the brushes, rather than very lightly-dampened cloths, trying to squeeze in between some of the extremely close-together knobs, buttons, and toggle switches. It used to take too damned long, that way. Now, a pedal is good to go in just a few moments :-).
I was intrigued by the Illumine, when it was released, but kind of passed on it, since I don't think I could really take advantage of it's many capabilities without a MIDI switcher. That, and I already have a bunch of nice reverbs (even more delays), since they're my favorite effect (especially nice delays).
Hard to justify the expense.
They sure do sound amazing, though (from the demos I've seen and heard of them).
How long have you had your Illumine?
Years ago, the Immerse Mk II was on my radar for a while, but I never got around to picking one up.
I don't own any Strymon reverbs, other than their Cloudburst, which sounds glorious.
If I ever use the Ensemble feature (which seems to be rarely), it's dialed way back and with the tone turned way down. It's too easy to overwhelm the music with that feature (in my opinion).
Maybe the experience would be different with humbuckers (?).
You say that like it's bad thing.Great player but always has this vibe of having a secret and you're never going to learn it.
You say that like it's bad thing.
Also: probably more than one secret I'm never going to learn.
(Necro-bumping because I just got an email for a "deal" on an open box unit.)
Saw this earlier but forgot to respond. I think it's potentially a bad thing since he is demoing the product from a salesperson point of view vs. someone coaxing a demo out of something for the sake of just making music. "It can do this but you'll never know how!"You say that like it's bad thing.
Also: probably more than one secret I'm never going to learn.
(Necro-bumping because I just got an email for a "deal" on an open box unit.)


Are we talking about knowing "how to use EHX pedals" or "how to play the guitar" here? Because as a pile on with Orv's "his playing smells like a lounge act" comment, this kinda reads like, "Yeah, Ruppert sucks because he's too excellent."Saw this earlier but forgot to respond. I think it's potentially a bad thing since he is demoing the product from a salesperson point of view vs. someone coaxing a demo out of something for the sake of just making music. "It can do this but you'll never know how!"![]()
No he's a GREAT player but kinda like the GR-55 Piano on a couch guy; you don't ever get near the results that he does when you try the exact same thing.Are we talking about knowing "how to use EHX pedals" or "how to play the guitar" here? Because as a pile on with Orv's "his playing smells like a lounge act" comment, this kinda reads like, "Yeah, Ruppert sucks because he's too excellent."![]()
I think part of this speaks to how extraordinary a player he is, and part of it speaks to actual weaknesses in the EHX product line. They tend toward wonky UIs, of course, but also wide, wonky controls that aren’t tuned very well. So if you’re looking for that particular mode and that particular sweet spot from a demo, it’s often like finding a needle in a haystack.No he's a GREAT player but kinda like the GR-55 Piano on a couch guy; you don't ever get near the results that he does when you try the exact same thing.