paisleywookiee
Rock Star
- Messages
- 7,451
Gotta use the right tools though.Still just tools for the job.
Gotta use the right tools though.Still just tools for the job.
Still just tools for the job.
You must have missed the part where he DJ’d his daughter’s high school promYou are extremely arrogant and self aggrandizing. Without the resume to back it up.
Don’t take the piss, didn’t you hear about how amazing it sounded?You must have missed the part where he DJ’d his daughter’s high school prom
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Don’t take the piss, didn’t you hear about how amazing it sounded?
Gotta use the right tools though.
There are a lot of ways for a musician to create a beat, a harmony and a melody. Guitars, bass, drums, keys, they are all just tools and there are other tools that can also do the job.
Real drums have issues. E drums have issues. Samples and backing tracks have issues. Yet, they all can work well.
I’m just not under any illusion that they’re remotely satisfying to play, compared to acoustic drums.
That's why God made the ignore button. Now if you guys would stop quoting him...I've made and been involved with making products that have made hundreds of thousands through to millions of dollars, but you keep goin' witcha badself.![]()
Why do we get so precious about "real" drums when none of us have heard real drums
live or in the studio for quite some time now?
Seriously. Drums have been more hyped/augmented/lifted/massaged than virtually
any other instrument in a Rock context outside of Vocals and Autotune.
Hell, I bet Drums take the cake as the most Synthesized of all Instruments outside of actual Synths.
Throw in playing to a click, aligned on a grid, and virtually anything and everything that is
"real" and "authentic" about drums has been neutered and removed from the process entirely.
I'll add that to my list...
Shit I don't give a fuck about when deciding to go to a live show:
Obviously, if I am playing I have a different attitude, but I don;t expect anyone else but me to really give a shit.
- Who is doing the mix and how good the kick will sound
- Whether the drummer is going to be happy or even remotely satisfied with his tools
- If there even will be a drummer
- What kind of tone capacitors the guitarist uses
- Does the band use amps or modelers or guitar synths
Is this tongue in cheek?
I hear live drums regularly, any time I walk into Piper's, haven't heard/seen anyone triggering kicks or snares there-
Here's Nicko McBrain NOT blowing the vocal mic away-
I think the last show I saw was the Sessanta show? If there's samples on this kit then it's the best sounding samples/triggering mechanism I've ever heard-
The Geoff Tate show was before that.....
David Gilmour before that.....again, if these were samples, it's the best I've ever heard samples sound with a remarkable ability to allow the dynamics of a human through-
Metallica was before that, they're triggering Lars kick/snare mainly because there's 4 kits on the stage and it's the easiest way to keep them consistent from kit to kit....and surely doesn't hurt Lars.
Tool before that, Danny ain't using no triggers, just his Mandala pads-
Regardless, there's a huge difference between blending an acoustic drum with a sample and relying on just a sample for the entire set; one sounds like a human and one sounds like a drum machine.
I'll add that to my list...
Shit I don't give a fuck about when deciding to go to a live show:
Obviously, if I am playing I have a different attitude, but I don;t expect anyone else but me to really give a shit.
- Who is doing the mix and how good the kick will sound
- Whether the drummer is going to be happy or even remotely satisfied with his tools
- If there even will be a drummer
- What kind of tone capacitors the guitarist uses
- Does the band use amps or modelers or guitar synths
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I honestly don't feel like haggling here today. It just gets to the point of being boring and tiresome.
I do stand by my comments, though.
There's a lot of massaging of the drums that I don't think some are being entirely honest and aware
of. But I am not going to beat any point to death, or try to debate it---at least not today---too nice
outside here to be doing that today.
I get thereaction to my statement. I will stand pretty firm in that what we hear in drums, live and recorded, is
far less actual acoustic drums than it is not. By a large percentage, too. Going to a club for a few hours locally is not
what I was referring to, and doesn't offset the vast majourity of drums we hear on the daily that are massaged, produced,
embellished, and made to be something far more than a simple acoustic kit mic'd up could ever hope or dream to be.
Not sure why it is not completely obvious.Doesn't seem even remotely like an outlandish statement for anyone to make.
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I honestly don't feel like haggling here today. It just gets to the point of being boring and tiresome.
I do stand by my comments, though.
There's a lot of massaging of the drums that I don't think some are being entirely honest and aware
of. But I am not going to beat any point to death, or try to debate it---at least not today---too nice
outside here to be doing that today.
I get thereaction to my statement. I will stand pretty firm in that what we hear in drums, live and recorded, is
far less actual acoustic drums than it is not. By a large percentage, too. Going to a club for a few hours locally is not
what I was referring to, and doesn't offset the vast majourity of drums we hear on the daily that are massaged, produced,
embellished, and made to be something far more than a simple acoustic kit mic'd up could ever hope or dream to be.
Not sure why it is not completely obvious.Doesn't seem even remotely like an outlandish statement for anyone to make.
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You’re okay with no drummer and synth guitars? Okay.
Both acoustic drums and real tube amps (in general) raise stage volume and make it less likely you will have a good mix at FOH.Electronic drums vs real drums aren't at all like modelers/Amp where I'm at vs real amps.
Anyone that spends as much time and effort as you do intentionally baiting people is likely not worth my time.... or anyone else's for that matter. I am happy for you that there are a few of your acolytes here that praise your name. It must fill some void you have.You are extremely arrogant and self aggrandizing. Without the resume to back it up.
Agree. It is becoming pointless and degrading into "my dad is bigger than your dad". And you are correct. Acoustic drums are the most processed and modified instrument sounds on the stage (in most cases).I honestly don't feel like haggling here today. It just gets to the point of being boring and tiresome.
I do stand by my comments, though.
There's a lot of massaging of the drums that I don't think some are being entirely honest and aware
of. But I am not going to beat any point to death, or try to debate it---at least not today---too nice
outside here to be doing that today.
I completely agree. This isn't about if acoustic drums sound better than eDrums. This is about if the band sounds better with Acoustic or eDrums. Everything else is just noise.Ok, ok, ok, hold on a second.
This discussion is about the sound of drums in a live setting and whether e-drums are a better tool than acoustic ones or not.
In other words, do bands sound better if they use e-drums instead of acoustic ones (hyped or not)?
Some of those things are definitely important to me, I love a lot of great drummers, it'd be shitty seeing Dream Theater or Tool without Portnoy or Carey, I wouldn't go. If, for some reason, all the reports on every show prior were "their kicks sound like shit for some reason...every night", yep, I'd be concerned. And I'd want them both happy and satisfied with their tools so they can play killer shows that make me want to play drums like they always have.
And some guys I'd rather see on amps than modelers; at an Yngwie show if you can get close enough to the stage, it's an experience. Same with EJ. That said, if Gilmour were playing I wouldn't care what he were using.
You're just wrong. Which is why I poo-poo'd your post. It was meant lovingly.I get thereaction to my statement. I will stand pretty firm in that what we hear in drums, live and recorded, is
far less actual acoustic drums than it is not. By a large percentage, too. Going to a club for a few hours locally is not
what I was referring to, and doesn't offset the vast majourity of drums we hear on the daily that are massaged, produced,
embellished, and made to be something far more than a simple acoustic kit mic'd up could ever hope or dream to be.