Distortion- from the amp or pedals?

@DrewJD82 we come from a very similar music background and I’ve been navigated this exact path for a few years now. I’m not going to claim I have all the answers but I’m happy to share some findings.

I still have (and use) the Mesas/Marshalls, but have been using 70s Silverface Princeton/Deluxe Reverbs in certain environments that have trended less heavy and more Indie or Pop.

First of all let me just say it’s a pleasure to roll into a gig with a Deluxe Reverb. They are pretty light, especially when compared to the usual 4x12 cabs. They also compress and do cool tube amp things my 100 watters rarely get to do. You’ll get compression, some power section breakup. Honestly it’s awesome, and that bit of compression and breakup does wonders for melding your dirt pedals into the amp tone.

If you want something that feels like a big amp - I’ve tried a lot, the Bogner Ecstacy Blue is the most amp like gain pedal I’ve used period, and it seems to be tailored for a Deluxe Reverb type amp. Like seriously sounds like a second channel on the amp. I bet the Blue would work with a Bassman too.

if you aren’t looking for an amp in a box pedal, you’ll be looking at your standard TS, SD1, Klon, Timmy, whatever. I’ve gone that route too. It can be cool. You get lots of colors and options, and you likely lose some of the tight chugs you might get from an amp.

One other route is to mix amp and pedal. Get something like a Deluxe or Marshall 1987, put a PPIV master on it so you can get edge of breakup stuff happening and then boost it into other colors with your dirt pedals. I’m doing this a lot these days.

There is no wrong way to do it, it’s more about being aware of the trade offs.
 
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I prefer to get my distortion at the eardrum stage.
GIF by BBC
 
Did you just step into your 40s?? :idk

I think it is a requirement that at a certain point you become
the middle-aged man with the Fender and a pedalboard. If
not you end up putting your guitarist's license at risk of being
revoked. :LOL:

In all honesty, there's really no other way to use a Muff, or a
Fuzzface, or stack drives and unstack drives, or boost a Fuzz.

I'll always have a board into a clean-ish amp setup. It's fun and
it works and gets me places I can go far easier than other setups.

Not something I would do when I want the chugs, though. I bet
I have been through every high-gain pedal offering hoping to land
on the thing---and none of them felt or sounded "right," to me.

I have a rig that follows a similar principle, a Studio JTM combo with a traditional pedalboard (that is in a perpetual state of change).
 
Sometimes I consider getting something like the Suhr Bella or Port City Pearl, and then running a board into it. Depends on the gain pedal. The KoT is amazing, but damn near unobtainium. I need to try the Wampler Pantheon Deluxe.
 
That’s supposedly what the Pantheon Deluxe is.

OIC.
I've got a cheap Kings Of Kings from Joyo - which is ok but not the greatest clone ever. Hardware quality certainly isn't (nothing broken yet, but you can tell by the feel), so yeah, the Wampler thing possibly is worth the cost.
 


Hm, I think it sounds rather generic here. Just as Quayle always sounds - which isn't meant negatively by any means, I just wouldn't spend much money for that sound.
I remember Chris Buck showing his new live board a while ago (including some actual live snippets), IIRC he's also using a KOT (maybe even an original) and his tone was gorgeous.
 
When using my JVM 410H & Mark VII, I stick with amp distortion. The Badlander may get a boost, but the distortion is from the amp.

My Two Rock CRS, King Kong 50, Fillmore 50, and OR15H get the full amp based & pedalboard (fuzz, OD, boost, and distortion pedal) experience. Same when using the Helix & AxeFX III, only virtual.
 
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