Deep Dive into Adam Jones's Tones

I actually kinda agree though. Adam's tone is cool but not that special. I'm honestly at that point where there are very few guitar tones are all that special to me. It's more so the songs and performances I think are special.

For example if I hear someone covering a song I love using gear that's completely different and a tone that's in the right ballpark, but they're killing the vibe and timing and dynamics of the song I'm gonna be very happy with it.

On the other hand, if someone exactly replicates the tone but the playing is off....meh.

Hell, there are instances of covers where while I love the original, I prefer the cover version due to both performances and tone. A couple that come immediately to mind are Voodoo Child (Slight Return) where SRV's version is ridiculously awesome, and Holy Diver where I actually like KSE's version more.
In some cases, one could almost argue some of the more memorable tones aren't that good... A couple that come to mind are Dimebag and Randy Rhoads. Both not great tones on their own, but both iconic and unique. Especially in a band mix.
 
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Hell, there are instances of covers where while I love the original, I prefer the cover version due to both performances and tone. A couple that come immediately to mind are Voodoo Child (Slight Return) where SRV's version is ridiculously awesome,


I can't imagine loving any version of Voodoo Child more than the original. The performance, the tone... everything is perfect. SRV's version (Little Wing too) always sounded a little cheesy to me.
 
high quality GIF
 
I can't imagine ever using "SRV" and "sounded cheesy" in the same sentence 🤯

I know talking about SRV in any way less that praise is blasphemy, but the whole '80s blues revival movement sounded a bit cheesy to me, even at the time. SRV is an absolute unit of a player though.
 
I was just listening to Sober this morning in the gym, and to me it's an interesting balance of the guitar tone not being outstanding (almost sounds like a Sansamp) but completely and totally fitting the vibe and overall sound of the song.
 
A couple weeks old, but I'd say AJFA is the only one guilty for the hidden bass. However, the guitar tones on that album (however iconic it is) are dogshit.

I can't even listen to AJFA!

:sofa

It triggers all my triggers. :LOL:

Just to clarify, I was more commenting about the general and overall cultural
and historical trend where guitars became more low-end intensive and bass heavy
(V the V :lol) , which also meant needing to bury/mask the bass guitars in the mix----
at least in comparison to when guitar tones were more midrange focused and less
bottomy/chuggy/deep.

Also, kick drums became more blown out and dominate with added sub-bass, samples,
and synth layering. That didn't do no bassist any "justice" either. :idk
 
Damn… I guess tool just repeated half the set one night to the next at their destination festival


Pretty shitty Ngl… the only way I can even reconcile it is how much Maynard hates his fans


Curious who is filling in on guitar for mastodon tonight…

Only silver lining I can see is I hope UM gains a lot of new fans today amongst a lotta tumultuous BS
 
@DrewJD82 mentioned Ben Eller was spotted

There's video popping up in the Mastodon FB group I'm in, he's indeed onstage with them.

Edit, the group is private so I can't share the vid, but here's some shitty screenshots!

BenE.jpg

BenE2.jpg



Just saw a vid of him very, very comfortably playing the solo to "Pain With No Anchor". Dude looks remarkably comfortable onstage and not like he rushed to learn that in any way. Definitely possible he already knew it, dude's a huge Mastodon fan.
 
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