By the way, as a matter of coincidence, another mate bought a "man cave" from a guy who dead early (RIP) and who was obviously an audio enthusiast... in that cave he had a lot of audio and electronics stuff (hand made speakers, boards, and whatnot). One of the things he had is a UMIK-1 with the MiniDSP board. My mate doesn´t know what it is, so he gave it to me... just in case I know what to do with it.
I´ve never used REW, nor any measurement mics. I know NOTHING about room correction and whatnot. Reading some MirrorProfiles posts, it looks like it´s that kind of thing that impresses you at the beginning, and after a lot of time of tinkering, you end up giving up and not applying corrections at all, but room conditioning instead.
I don´t want to go that rabbit hole if the result is going to lead me to just avoid corrections. Any wise advises?
I’d consider what you are trying to accomplish, and why, first.
To me there are 2 dimensions: (that are not necessarily equal)
- A/a set up/room that gives you good reference
- B/ a set up that sounds good
A/ you need perfect when you master tracks, you need very good when you mix tracks, you would like it to be good when you record tracks for commercial/publishing purposes.
In my mind, you will never get a small square room at those levels, maybe you can get it closer, but does that really add value?
B/ That’s what I went for. When a reference track sounds good to my ears, I’m happy!
And I still can do stuff on a pro level without too many accidents.
Ime, you have to put some more time/energy in things that you would also do in a good reference room:
- use reference tracks consequentially
- check your mixes on other systems so you learn the “mistakes” you made on your set up, so..”know your room/setup”
So..if B is acceptable, maybe don’t introduce fixes before you identified a problem
