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For the right price we'll make it happen..
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I had one and got rid. Didn’t need it either
What I found weird was while I had it, everyone who played it in the room lost their mind over it. When I wasn’t playing it I thought it sounded better than when I was the one playing it. It has a really unique feel that you either like or you don’t.
It has this insane power and thickness that makes single notes feel like chords. It also is so compressed that it evens everything out. Both of those can make an amp quite flattering but if you really want to control your own dynamics it doesn’t give you much to work with.
Despite not really digging it, I did enjoy that it has a distinctive sound and the 180W headroom is really cool to hear and experience in the room for yourself. It really does just sound like it was invented for Korn and low tunings, with ultra clean effecty stuff in between the heaviness.
Tonally, I can’t say I liked it. Stuffy/fuzzy/bloated/lacking bite. Not for me
I would concur. It’s modern high gain compressed but not in a typical way.It has a really unique feel that you either like or you don’t.
Mine is 11, so I gotta keep that in mind here soonI'm glad my kids are all past 16 so I don't have to have that conversation. "Sorry; you can't have a car. Dad needs another high gain amp!"![]()
I feel like this is the case with every guitarist and every amp brand - we all gravitate towards the brands of amps that we get the sound out of in our heads, and sometimes our playing style doesn’t jive with how an amp shinesWhat I found weird was while I had it, everyone who played it in the room lost their mind over it. When I wasn’t playing it I thought it sounded better than when I was the one playing it. It has a really unique feel that you either like or you don’t.
Maybe you could request a Crab Sherbet amp build ...alongside that price tag![]()
In my mind poweramps operated within their headroom…sound very very simular.that Diezel power amp I am betting is doing a TON of influencing of the overall tone and experience with the amp.
180 watts of el34 headroom is probably pretty insane thoughIn my mind poweramps operated within their headroom…sound very very simular.
If you have a couple of amps with loops…try 1 preamp into different returns into the same cab…
Whut? (Sorry, you have to speak louder then my tinnitus)180 watts of el34 headroom is probably pretty insane though![]()
the hedonistic days of the late 90’s/early 2000’s180 watts of el34 headroom is probably pretty insane though![]()
the hedonistic days of the late 90’s/early 2000’s![]()
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And here I am in Australia... where everything mentioned is expensive and often unavailable.It's always interesting to look at what you guys in the US lust for, vs what we here in Europe drool over.
Based on this forum, European amps that are of interest are Diezels, Marshalls, ENGL, maybe a bit of Hughes&Kettner.
Over here we lust for Mesa Boogie, Tone King, Soldano, Friedman etc.
In EU the Diezels obviously aren't cheap either, but the VH4 and Herbert Mk III are 2899 € each, VH2 is 1899 €.
Versus Mesa Mark VII at an eye watering 4444 €.
Those are silly prices!And here I am in Australia... where everything mentioned is expensive and often unavailable.
Only $7500 for a Mesa Mark VII combo or head (same price) - if it was available to order.
Diezel Herbert head is $8000 - if it was available to order.
There's a chance on a Mesa by 2026.
I suspect he's quoting the prices in Australian dollars.Those are silly prices!
Is everything that high relatively? Or are there brands comparably priced to eu/us where you at?
MIC stuff maybe?
Go big or go three.Just ordered 3.