Recommend me a workhorse for recording metal?

maddnotez

Roadie
Messages
355
I have a 4 string Sterling of some sort with lord only knows what guage strings on it, tuned to B for my recordings.

The strings are insanely floppy, the bass sounds like complete ass and im considering an upgrade. This will solely be for recording and I'm into extreme/brutal death metal.

I dont know much about bass but I'm leaning towards Ibanez based off experiences from some other people I know.

I'm not looking to spend a fortune. Would love to keep it under $1,000. Preferably much less and don't mind buying used to save a dollar.
 
The BTB's are a great line and pop up cheap all the time. And the Soundgear dominated the 90's.

The Spector Pulse line is pretty great, I have the 4-string-




I think that was $890 new from Fret Nation, but GC seems to have a shit ton of them these days so if you got one around go check them out, there's a 4 and 5 string. Ibanez Soundgear's dominated the 90's and the BTB's are badass, you can find the higher end ones for under a grand used and I'd aim for that as Ibanez' quality in their lower end models sucks these days.

If you go for a 5 and can test it out first, spend some time listening to how well that low B is balanced with the rest of the strings. If you're getting a crazy sub funamental tone, move onto another bass because you won't dial that out unless you're only playing that low B string and even then it'll be a bitch without a multiband comp kinda kicking it's ass into shape. I had a nightmare of a time on a cheaper Warwick with this and I swore off 5's as a whole until I played enough I could drop to A and they were perfectly balanced top to bottom.

One thing I definitely realized that I would genreally argue vehemently against with guitars is that the more I stepped up in price/quality, regardless of brand, those 5-strings had a shitton more depth and clarity than the cheaper models. Neck-thrus in particular. If you have a decent selection local, check it out to see what I'm saying. Whether or not that's important to you is a total different story. I think the bass in the vids above is pretty good sounding and there's minimal shit in the signal chain, but the experience I'm talking about is a whole other layer of depth where the second you give that low E or B a smack and you can hear that full EQ range in the acoustic, unplugged tone.

P/J pickup setups are great for versaility, obviously from above they can get heavy and gritty just fine, but if you're going for straight metal, I'd keep your eyes peeled for a humbucker/soapboar setup. Those alone go a long way in the depth area. Active pickups are definitely more common in basses than they are guitars and while I can see why, they certainly help with clarity and kinda do that compressed thing without being too much.
 
Sire stuff records great to me and you can get a P/J that’ll cover basically all the ground you’d ever need.

Beyond that, I’d be looking for a Fender P bass (unless you especially love a J, in which case I’d still recommend P/J). Squier is fine, especially if you see yourself upgrading the HW anyway.

High mass bridge is well worth it for rock and metal. I’d almost do that day one.

Also don’t overlook both the setup, and string gauges. They make a HUGE difference to how the bass actually sounds, and if you want that clear, clean clank and deep low end without getting farty, you’ll need the right strings and setup.
 
Can't go wrong with an Ibanez Soundgear (SR). Played Metal with it (5 string down to A) and it worked just nice. Most of them (at least mine) have an active 3band EQ so getting it to fit in a mix is never really a problem.
 
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