nightflameauto
Groupie
- Messages
- 21
Gentlemen,
Allow me to take you on a brief journey through my recording setup as it sits today
In the studio room, I've got this little pedalboard along with the Radial Shotgun that drives everything else in the house. When I'm feeling extra angry at the neighbors there's additional amps I can tie in at the same time. Today I'm just using two.
One of my techs pointing out the Shotgun.
There's two cables headed out to the main amp room / bedroom. One is a CAT6 cable for the microphones, one a guitar cable to hit the Shotgun back there.
At the other end the CAT6 hits a mic interface under the dresser with a switch to turn on phantom power for the Roswells I can pull out when I need it and shove back under the dresser when I don't. The split is one MD421 on the bass amp, the two Roswells going through a Radial phantom supply, and a M160 on another cabinet. The guitar cable is tied to the mic cables and heads over to the Shotgun, residing between the two pedal boards.
This mess right here:
Each board has its own separate battery based power supply under it. The amps can be removed from the Shotgun when friends come over to jam so we can stereo up if we want. Or we can just take turns sitting in the control room/studio room doing takes with both/all amps.
Still working out mic position for the 6505 cab, but here's a quick blended, both amps on for one take per side clip:
If I can get this sounding as good in the DAW as it sounds standing in front of that pair all wound up, there's gonna be some epic riffage getting recorded soon.
Allow me to take you on a brief journey through my recording setup as it sits today
In the studio room, I've got this little pedalboard along with the Radial Shotgun that drives everything else in the house. When I'm feeling extra angry at the neighbors there's additional amps I can tie in at the same time. Today I'm just using two.
One of my techs pointing out the Shotgun.
There's two cables headed out to the main amp room / bedroom. One is a CAT6 cable for the microphones, one a guitar cable to hit the Shotgun back there.
At the other end the CAT6 hits a mic interface under the dresser with a switch to turn on phantom power for the Roswells I can pull out when I need it and shove back under the dresser when I don't. The split is one MD421 on the bass amp, the two Roswells going through a Radial phantom supply, and a M160 on another cabinet. The guitar cable is tied to the mic cables and heads over to the Shotgun, residing between the two pedal boards.
This mess right here:
Each board has its own separate battery based power supply under it. The amps can be removed from the Shotgun when friends come over to jam so we can stereo up if we want. Or we can just take turns sitting in the control room/studio room doing takes with both/all amps.
Still working out mic position for the 6505 cab, but here's a quick blended, both amps on for one take per side clip:
If I can get this sounding as good in the DAW as it sounds standing in front of that pair all wound up, there's gonna be some epic riffage getting recorded soon.
