Will an indefinitely relevant/sold modeling platform ever exist?

I did a flip phone for a while and would have continued but for my inability to text on those things anymore. How did we do it in the olden times?!?!?!?!
I used to be able to drive and text with them without looking at the phone :bag idiot teenager things lol
 
The graphics on this game are insanely realistic, i'm not sure we'll ever see much better

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IMO, Fractal is already there in terms of sound, so if they manage to get the user experience to at least the level of Stadium, Quad Cortex or Ampero II, there would be no need for me to ever get anything better.
It might be more likely though that some other company with good UI will solve the fully parametric capturing and get there faster.
Static models are hard no for me from user experience standpoint.
People said that about the iPhone 6
 
IMO, Fractal is already there in terms of sound, so if they manage to get the user experience to at least the level of Stadium, Quad Cortex or Ampero II, there would be no need for me to ever get anything better.
It might be more likely though that some other company with good UI will solve the fully parametric capturing and get there faster.
Static models are hard no for me from user experience standpoint.
I will never quite understand TGFs general love for Fractal. I think with the release of ICONS , people are going to realize how close other, more economical solutions sound and are just as good.
The Fractal fans have been looking for it in a vst form. They already had it with NDSP.

With respect to modelers, I foresee a few ultimate possibilities.
Since the advancement of capture tech and increasing accuracy, and the inherent need for more powerful modelers, more people will either move to a portable computer/laptop solution with midi foot controllers (some already do) or the modelers will have to march in that direction with M.2 SSDs, faster cpus, more memory, faster bus speeds....
In essence, a computer like structure but purpose built. I liken this to the video game market where sure, you could pimp out a computer and have everything run on something elaborate system with kick ass graphics, tons of memory and a fast cpu or just use a highly tuned XBOX X or PS5 and be done with it. They are so slick and it's ridiculous how they harnessed power into a portable solution at a reasonable price.
Similarly a purpose built modeler could be built to house solutions like NAM v2 or the like natively. Not a stripped down version but the whole ball of wax.
 
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In a forum dedicated to the daily progress of digital modeling you will surely find an answer. But can there be any real value in it?

It’s like going to Texas and asking for an opinion on the future sanctity of high school football.
 
I will never quite understand TGFs general love for Fractal. I think with the release of ICONS , people are going to realize how close other, more economical solutions sound and are just as good.
I don't actually like the company, but having owned FM3, I do think their modeling is as good as a musician would need.
To your point though, I now have Ampero II and am much happier than with FM3. It perhaps is not that "accurate", but sounds and feels almost as good regardless, with better usability. I would gladly use it for the next 20 years if it would last that long :D
 
I'm not suggesting that everything else stop. Fender has made a whooooooooole lot of other new products alongside the venerable HRD, DRRI, etc., and while the HRD has had modest changes along the way, none have been like, say, a Boogie Mark III to Mark IV change, or a DRRI to ToneMaster Deluxe Reverb change.

I have no vested interest in this situation happening or not, just curious if it will. Or if the cost of evolving a new modeler-equivalent of the HRD is so low that there's always going to be more evolution in that area.

To me the Hot Rod Deluxe represents a couple of things:
  • It was for a long time a reasonably affordable, high-ish power Fender voiced amp, and there weren't many options in the same price range.
  • It's a pretty decent size/weight to make it practical.
  • It's familiar due to being found in many backlines - bought likely because of that wattage-to-cost ratio more than anything.
Yet at the same time it has a crap overdrive channel, extremely poor volume control and decidedly mediocre build quality.

The closest equivalent in the digital modeling world is probably the Boss Katana. Like the HRD, it has gotten a few revisions over the years, but it's still largely the same thing it was from the start - the most popular beginner amp out there, capable of handling their first gigs too.

For digital products, having something that is about the same being sold perpetually is unlikely to happen simply because DSP chip production eventually stops. So updating it must be done eventually, and to sell that you likely want to upgrade the rest to offer users incentive to buy the new version.

With each generation of digital modelers, the want to upgrade becomes less. To me the primary issue with modelers hasn't been how they sound for years, but usability. As each major brand introduces new products, that usability gap between modelers and traditional rigs becomes less. But you might find yourself questioning if the new digital thing is worth the spend when it sounds at best 10% better than the previous one.

I remember already back in the day I was happy with the sounds I was getting out of an Axe-Fx 2, and really usability was all that I wanted. That didn't really change with the current gen.
 
I will never quite understand TGFs general love for Fractal. I think with the release of ICONS , people are going to realize how close other, more economical solutions sound and are just as good.
The Fractal fans have been looking for it in a vst form. They already had it with NDSP.
When I had the FM3, Helix and QC a few years back and put them head to head, there were clear differences in their quality.

Fractal is my yardstick because I've put it against the real amps I've had and it's done extremely well against them - and that's through a Fryette PS as a poweramp with real guitar cabs at a moderately loud volume. I plan to do that thing again today with the AM4, interested to see how it goes with several years of fw updates.

Fractal - even with the fw back then - always came out on top for amp models.
Helix was solid, but not quite as good.
Quad Cortex was a very mixed bag. Some models were close to Fractal, some were noticeably off, or needed very strange settings to sound similar.

The same thing continued with effects models. Delay, reverb, modulation - Fractal is miles ahead. I liked Helix better for drives back then, but Fractal has since updated their drive modeling a few times. QC was again at best on par, but never better to me.

Having tried most NDSP plugins, I do agree they sound good for amp modeling, but some of their effects could be much better. I wouldn't call them more economical. I expect when Fractal starts putting out more ICONS packs, they'll quickly get to a point where they offer more than what you get with NDSP. Most NDSP plugins are like 2-3 amps/cabs + mostly a similar set of fx across the plugins.

That said, I have no real desire to buy the Fractal plugins, when an AM4 already does all that and is a more practical tool.

With respect to modelers, I foresee a few ultimate possibilities.
Since the advancement of capture tech and increasing accuracy, more people will either move to a portable computer/laptop solution with midi foot controllers (some already do) or the modelers will have to march in that direction with M.2 SSDs, faster cpus, more memory, faster bus speeds....
In essence, a computer like structure but purpose built. I liken this to the video game market where sure, you could pimp out a computer and have everything run on something elaborate system with kick ass graphics, tons of memory and a fast cpu or just use a highly tuned XBOX X or PS5 and be done with it. They are so slick and it's ridiculous how they harnessed power into a portable solution at a reasonable price.
Similarly a purpose built modeler could be built to house solutions like NAM v2 or the like natively. Not a stripped down version but the whole ball of wax.
Even with captures made by myself, I just don't like it that much, even when it sounds good. It's just a workflow that to me is worse than component modeling and even if it were more accurate at specific settings, that doesn't mean much if I have to jump through a pile of captures to get what I want.

I just don't see captures being some magic future. It's already a commodity tech you can add to any rig with a cheap Tonex One, and NAM v2 won't change anything unless it becomes parametric captures.

Fully computer based setups often need a lot more tinkering from the user, same as MIDI-based control systems. It's much more complicated to configure my MIDI + Strymon pedalboard to work like e.g scenes on a modeler. Maybe it works out when you have everything setup the way you like, but there are no true plug-and-play solutions like you get with a dedicated all-in-one modeler hardware.
 
It should be easy to understand -
They are at the top of the heap in modeling and FX.
Yet when I try to match the reverb block to a lowly Boss RV-5, I can't do it. The Boss always sounds brighter, more cutting, more aggressive, more in your face. Which is what I love about it. The Fractal reverbs are too soft and "real" for that effect. Go figure.

See... quality, accuracy, complexity... all of these things fairly easily die when confronted with people's desires and subjective preferences.

Hence why there will never be a indefinitely relevant or top dog modeller. It just isn't possible.
 
Fractal is clearly the best. Anyone who thinks otherwise is in denial. I used to be one of those who convinced myself that the Helix could hang.
 
Fractal is clearly the best. Anyone who thinks otherwise is in denial. I used to be one of those who convinced myself that the Helix could hang.
That depends on the meaning of ‘best’.
I bought Helix floor in 2015. I finally sold it a couple years ago. While I still had it it was the hub of almost everything I did and during that time I bought and sold two AxFxIII, one FM9 and two FM3…as well as two QC and Boss GT1000 floor and two Cores, two Kemper toasters, one Stage and lots of other similar devices.

Helix lasted much longer than all the Fractals combined. Not because the Fractal modeling wasn’t ‘best’ but because ‘best’ means more than an incremental measurement of accuracy to me. Helix was more ‘valuable’ to me during that time span.
Fractal has however improved so much in the last 5 years its value to me has risen.
Helix Stadium floor incoming and I suspect it will reclaim the throne…at least until until AxeFx IV with a completely new user interface is released.
 
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That depends on the meaning of ‘best’.
I bought Helix floor in 2015. I finally sold it a couple years ago. While I still had it it was the hub of almost everything I did and during that time I bought and sold two AxFxIII, one FM9 and two FM3…as well as two QC and Boss GT1000 floor and two Cores and lots of other similar devices. Helix lasted much longer than all the Fractals combined. Not because the modeling wasn’t ‘best’ but because ‘best’ means more than an incremental measurement of accuracy to me.
Sonically it’s the best.
 
Sonically it’s the best.
No argument from me on that.
In fact I’d say if you have to pick just one device the FM3 Turbo MkII is pound for pound, dollar for dollar, and model vs model (vs capture/profiles too)…. the reigning champion.
 
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When I had the FM3, Helix and QC a few years back and put them head to head, there were clear differences in their quality.

Fractal is my yardstick because I've put it against the real amps I've had and it's done extremely well against them - and that's through a Fryette PS as a poweramp with real guitar cabs at a moderately loud volume. I plan to do that thing again today with the AM4, interested to see how it goes with several years of fw updates.

Fractal - even with the fw back then - always came out on top for amp models.
Helix was solid, but not quite as good.
Quad Cortex was a very mixed bag. Some models were close to Fractal, some were noticeably off, or needed very strange settings to sound similar.

The same thing continued with effects models. Delay, reverb, modulation - Fractal is miles ahead. I liked Helix better for drives back then, but Fractal has since updated their drive modeling a few times. QC was again at best on par, but never better to me.

Having tried most NDSP plugins, I do agree they sound good for amp modeling, but some of their effects could be much better. I wouldn't call them more economical. I expect when Fractal starts putting out more ICONS packs, they'll quickly get to a point where they offer more than what you get with NDSP. Most NDSP plugins are like 2-3 amps/cabs + mostly a similar set of fx across the plugins.

That said, I have no real desire to buy the Fractal plugins, when an AM4 already does all that and is a more practical tool.


Even with captures made by myself, I just don't like it that much, even when it sounds good. It's just a workflow that to me is worse than component modeling and even if it were more accurate at specific settings, that doesn't mean much if I have to jump through a pile of captures to get what I want.

I just don't see captures being some magic future. It's already a commodity tech you can add to any rig with a cheap Tonex One, and NAM v2 won't change anything unless it becomes parametric captures.

Fully computer based setups often need a lot more tinkering from the user, same as MIDI-based control systems. It's much more complicated to configure my MIDI + Strymon pedalboard to work like e.g scenes on a modeler. Maybe it works out when you have everything setup the way you like, but there are no true plug-and-play solutions like you get with a dedicated all-in-one modeler hardware.
It's like I said. Fractal has now exposed their offerings to the vst world. As a modeling vendor, awful UI and ecosystem aside, their sounds are very good in this arena.
As a VST publisher they are now accompanied by brands like Eventide, Sonible, Bogren, UAD, IK, Strymon, NeuralDSP, NAM, Valhalla, Soundtoys, Fabfilter, Roland/Boss...
Due to Fractals sales structure, many have been on the fence to buy hardware and have been waiting for a VST offering. I think people will find that Fractal sounds are more ordinary than anticipated and the above vendors already have them covered from a software point of view.
For someone that wants a portable solution and carry their exact sounds from studio to stage, the AXEFX still works very well, but they can already re-amp their sounds anyway so the VST isn't really a great benefit, especially if the VSTs don't replicate everything that the AXEFX contains. If they switch to an all-encompassing, all amp, all effects VST offering, it may sway some but it would also hinder their platform sales as many only use their AXEFX in the studio and it will become redundant.

..and yes, I formerly owned an AX3 and still own an FM9, AM4 and VP4.
 
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