Valeton GP-50, GP-150 and GP-180

The battery makes a huge difference to me as this can do double duty as a headphone amp and backup rig. I think it's a goldilocks form factor as well. Small enough to realistically fit in a gig bag, and big enough to be useable on the floor. For $120 I'm not expecting actual main rig specs.
 
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Yes, the G

GP-50 looks like the sweet spot to me too. It would be perfect if it had a battery-powered option but I really doubt that, sadly...

Boo
It *does* have a battery! That's the decider between the GP-5 and the GP-50 for me, I could make do with the GP-5 otherwise but this seals the deal...

Boo
 
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Just stumbled over this thread. The GP-50 could possibly be *the* perfect backup thing (and maybe even more).
The optional footswitch modes seem fantastic to me (allowing you to control up to 3 blocks via one footswitch) for a unit this small, can't remember any other company delivering something like that on a device with a comparable form factor.
Battery operation *and* a built in looper is absolutely great for any kinda, holiday, outside or backstage jamming.

Seems they really hit the nail on the head with this one, guess I really need to grab one of those early next year (when they will be available at Thomann).
 
Just stumbled over this thread. The GP-50 could possibly be *the* perfect backup thing (and maybe even more).
The optional footswitch modes seem fantastic to me (allowing you to control up to 3 blocks via one footswitch) for a unit this small, can't remember any other company delivering something like that on a device with a comparable form factor.
Battery operation *and* a built in looper is absolutely great for any kinda, holiday, outside or backstage jamming.

Seems they really hit the nail on the head with this one, guess I really need to grab one of those early next year (when they will be available at Thomann).
I’ll put money on the GP- 50 being a massive seller in 2026 .
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My oh my! They have managed to copy the looper functions from the Zoom series - which have been *by far* the best two switch loopers ever.

Operational Steps: Press footswitch A to start recording. Press footswitch A again to loop the recorded content. During playback, press footswitch A to overdub at the current playback position. Press footswitch B to stop recording/playback/overdubbing. Press and hold footswitch B to clear all recorded content (including overdubs).

For a small duo thing I'm doing, I don't need anything else but that. Time for the Zoom G3 to be retired it seems.
 
Been reading through the manual of the GP-50. This is possibly one of *the* must-haves of the next year for an incredible amount of folks. They seem to have done pretty much everything just right, the thing is incredibly well rounded and the configuration options seem to leave absolutely nothing left to be desired. With an additional dual FS, I can't see any situation in which this couldn't at least serve as a most excellent backup - and possibly even more. I could easily imagine playing certain gigs with just this.

I'm afraid to say so, but then: This may finally retire my HX Stomp (which I'm only using as a backup or for very small gigs anymore anyway).
 
Andertons say they will have stock next week on Thursday 18 December .
£109.00 with free shipping in the UK .
I doubt they will actually have any this side of Christmas.
Amazon UK have it for sale £109 with prime free next day delivery but not in stock yet .
They don’t take any moneys until it’s shipped so probably a good choice.👍
 
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Valeton Direct shipping 12/15 to 12/18.
Does anyone know if the GP-5 take drive pedal NAM's. I'd love to try running the 5 into the 50 when it shows up. Since the NAMs for amps need the cab cooked in and the drive doesn't need a cab, I would expect it should work
 
So I'll try the 5 for drive pedals, maybe a comp before the NAM and run it into the 50 and use its pre/post FX. This is just to F around with it.
Using both as one system should allow me more FX slots, overall. I'd be curious about the noise induced by running them together.
 
GP-50 ordered.
Possibly *the* no-brainer of the year for me.
Seriously, this is checking sooo many boxes. Even given that it's not the lowest latency device (there's worse, though - and I will never nest this with other digital stuff anyway), also given that the FX aren't much to write home about (I really only need "servicable" delays and reverbs), the amount of goodies it has in it is almost staggering.

- Battery operation. Just great.

- Runs on USB bus power.

- Most well rounded audio connectivity options in this bracket *by far*. Heck, you can even record a DI track while monitoring through the onboard stuff. That's something pretty much no other cheaper devices allow for. And you can even record via BT - so in case you're jamming with the looper and have a great idea, just connect to your phone and record away (likely depending on the phone and mobile OS, though, but still...).

- Fantastic (!) control options. Regarding those, you can get vastly more out of this than with some *much* more expensive devices (programmable switches - AM4, can you hear me?).
This is actually what sealed the deal for me, as, once a dual external FS is connected, I will be able to dial in my most used 2x2 sounds, namely a clean(-ish) and a dirty one with lead variations each. These will take me through any gig, should anything ever happen to one of my main setups.

- Any kind of MIDI connectivity. Classic wired MIDI, BT MIDI, USB MIDI. Not sure whether I'll ever need it, but it's there.

- Best looper layout there is for a 2 switch looper (let's hope the switches for setting loop points are exact, but Valeton has some looper experience).

- Proper mobile editing app.

- In this price bracket, I haven't seen such a properly written manual from a chinese company ever before. Clear, concise, proper english, you can find every relevant information instantly. Shows that they really seem to care about the user experience.

Ok, I rather stop before I start sounding like a goddamn gearfluencer - but seriously, it's almost as if they've heard any single wish I may have had for such a kind of device (ok, it'd be killer if they had an autosave function, such as the Zoom stuff, but it's a minor thing).
Obviously, I have no idea how well I will get along with the sounds, but in case it's even remotely like the stuff I've heard from the GP-5 so far, that should be a non-issue. After all, this is meant to become a gigbag, jamming and backup unit, so I really don't need the toppermost of the poppermost in terms of sound quality.

Should be there in a week or so (will be sent to my parents-in-law, because that's were we will be over x-mas, so I might get it somewhat later).
 
GP-50 ordered.
Possibly *the* no-brainer of the year for me.
Seriously, this is checking sooo many boxes. Even given that it's not the lowest latency device (there's worse, though - and I will never nest this with other digital stuff anyway), also given that the FX aren't much to write home about (I really only need "servicable" delays and reverbs), the amount of goodies it has in it is almost staggering.

- Battery operation. Just great.

- Runs on USB bus power.

- Most well rounded audio connectivity options in this bracket *by far*. Heck, you can even record a DI track while monitoring through the onboard stuff. That's something pretty much no other cheaper devices allow for. And you can even record via BT - so in case you're jamming with the looper and have a great idea, just connect to your phone and record away (likely depending on the phone and mobile OS, though, but still...).

- Fantastic (!) control options. Regarding those, you can get vastly more out of this than with some *much* more expensive devices (programmable switches - AM4, can you hear me?).
This is actually what sealed the deal for me, as, once a dual external FS is connected, I will be able to dial in my most used 2x2 sounds, namely a clean(-ish) and a dirty one with lead variations each. These will take me through any gig, should anything ever happen to one of my main setups.

- Any kind of MIDI connectivity. Classic wired MIDI, BT MIDI, USB MIDI. Not sure whether I'll ever need it, but it's there.

- Best looper layout there is for a 2 switch looper (let's hope the switches for setting loop points are exact, but Valeton has some looper experience).

- Proper mobile editing app.

- In this price bracket, I haven't seen such a properly written manual from a chinese company ever before. Clear, concise, proper english, you can find every relevant information instantly. Shows that they really seem to care about the user experience.

Ok, I rather stop before I start sounding like a goddamn gearfluencer - but seriously, it's almost as if they've heard any single wish I may have had for such a kind of device (ok, it'd be killer if they had an autosave function, such as the Zoom stuff, but it's a minor thing).
Obviously, I have no idea how well I will get along with the sounds, but in case it's even remotely like the stuff I've heard from the GP-5 so far, that should be a non-issue. After all, this is meant to become a gigbag, jamming and backup unit, so I really don't need the toppermost of the poppermost in terms of sound quality.

Should be there in a week or so (will be sent to my parents-in-law, because that's were we will be over x-mas, so I might get it somewhat later).
I agree with everything you’re saying. Looking forward to your review!
 
Fwiw, interestingly enough (at least for me, didn't know that yet): The older GP 100s and 200s can load NAM profiles as well by now. Could understand that for the 200 as the new series doesn't exactly have a comparable model, but the 100 is pretty much the same as the new 150, so one would think they're cannibalizing their own products.
 
GP180 vs GP200LT?

Yeah, it's pretty strange, they really seem to be cannibalizing their own products. But then, it's pretty much like "one for anyone" or so.
If I had to guess I'd say that the newer versions would be more powerful - but then, the 200s are already capable of running two "tone snaps" (as they call their NAM conversion).

Anyhow, I'm quite excited to get my hands on the GP-50 next week. As said, on paper, it should be my perfect goldilocks unit for plenty of situations. I defenitely don't expect world class modeling, but in case I need that, I've got more than enough options.
 
Wtf, on Thomann's site the GP-50 went from "available in 2-3 days" to "available in 2-3 weeks". Let's hope I'm getting one of the first branch (which might be just shipped to them).
 
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