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I've been messing around with all the amps since getting the Mark VII. The PRS amps are in a different category because they don't sound anything like the Mesas - or even each other.

The Mesas...well, I find I can get very similar tones to the Fillmore 50 and the Lone Star 100 with the Mark VII, if I dial them in that way - it isn't hard to do. I might even prefer the similar sounds in the Mark.

Thing is, need 'em or not, I like the Fillmore and the Lone Star. Plus they have custom leather coverings and NOS tubes. I'd get absolutely clobbered if I sold them. Yet I still have a case of The Guilties for hanging onto them. I can't help it.

Maybe I can dial each one in so differently that switching between them will somehow make sense in the context of a session. Then I'd feel less weird about the whole business.


If it makes you feel any better, mesa wise I have a III, IV, V, a crab Mark clone and an f100 and a badlander :rofl
 
If it makes you feel any better, mesa wise I have a III, IV, V, a crab Mark clone and an f100 and a badlander :rofl
cookie monster GIF
 
I've been messing around with all the amps since getting the Mark VII. The PRS amps are in a different category because they don't sound anything like the Mesas - or even each other.

The Mesas...well, I find I can get very similar tones to the Fillmore 50 and the Lone Star 100 with the Mark VII, if I dial them in that way - it isn't hard to do. I might even prefer the similar sounds in the Mark.

Thing is, need 'em or not, I like the Fillmore and the Lone Star. Plus they have custom leather coverings and NOS tubes. I'd get absolutely clobbered if I sold them. Yet I still have a case of The Guilties for hanging onto them. I can't help it.

Maybe I can dial each one in so differently that switching between them will somehow make sense in the context of a session. Then I'd feel less weird about the whole business.
It's the "I have gear that I could get rid of...but I don't really need the money, these things sound great and it would be a pain in the ass to sell them" dilemma.

Someone was selling another Mark V 90 combo for a good price recently...and I was tempted. But it had US power with a step down transformer and was on the other side of the country so it seemed like a chore to go and get.
 
I've got my Mark VII, Badlander 100, Badlander 50 combo, Fillmore 50 combo, and my legacy Triaxis + 2:90 rig. You are not alone.

:beer
By no small coincidence, I once had a Triaxis in a rack rig, but if memory serves, I plugged its output into the effects loop of a non-rack mount Blue Angel head I sat on top of the rack. It's a pretty darn cool preamp.

I went through too much stuff during my "next-shiny-object-buy-everything-sell-everything-merry-go-round" phase that lasted about a decade!
 
It's the "I have gear that I could get rid of...but I don't really need the money, these things sound great and it would be a pain in the ass to sell them" dilemma.
So freakin' true!

I thought for a hot minute about putting the Lone Star on Reverb, but fortunately I was saved from my folly by the fact that I threw out the shipping box - which I deliberately got rid of years ago, after re-tubing it with NOS, so I wouldn't be tempted to sell the amp.

Decent (albeit a little restrictive) advance planning on my part!:rofl

Someone was selling another Mark V 90 combo for a good price recently...and I was tempted. But it had US power with a step down transformer and was on the other side of the country so it seemed like a chore to go and get.
There are times I'm tempted; it's almost as if owning two of the same thing would somehow double my pleasure.

That might make sense if I actually went places and needed backups!
 
By no small coincidence, I once had a Triaxis in a rack rig, but if memory serves, I plugged its output into the effects loop of a non-rack mount Blue Angel head I sat on top of the rack. It's a pretty darn cool preamp.

I went through too much stuff during my "next-shiny-object-buy-everything-sell-everything-merry-go-round" phase that lasted about a decade!
I've always wanted one of those pre's ever since I heard that ISIS's Aaron Turner used one on Panopticon. But I actually don't know how true that is.
 
I've always wanted one of those pre's ever since I heard that ISIS's Aaron Turner used one on Panopticon. But I actually don't know how true that is.
Honestly the V covers A LOT of that ground and probably sounds a little better. IMO the V beats the triaxis so long as you don’t need a bunch of presets for what you’re doing.
 
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I've always wanted one of those pre's ever since I heard that ISIS's Aaron Turner used one on Panopticon. But I actually don't know how true that is.
I don't know whether he used one, either.

The Triaxis is a real-deal piece of gear. I was into Mesa amps, and had a handful in my studio; it was great to experiment with the Triaxis and get additional tones with them. I had one of the V-Twin pedals here, too, another under-appreciated piece of Mesa equipment that I used to push the front end, mostly of a Bogner Metropolis.

In those days. I had the guitar effects in a rack that I'd use in the control room, and would send a line out to one of the combos or cabs in an acoustically dead booth that was soundproofed. The heads I had would stay with me in the control room.

All of which reminds me how good that rig sounded!

As fun and cool as pedals can be, having a rack full of the kinds of effects that were popular in commercial studios (e.g., Eventide Ultra-Harmonizer, TC M5000, Drawmer compressor, the Triaxis, a couple of Lexicon pieces, etc) sounded awfully nice.

Since I don't play out any more, I've thought about putting together a compact rack system with some choice gear, and using the pedalboard only for the occasional trip to a different studio for projects. Somehow I manage to talk myself out of such folly, but it's a close-run thing! :bonk
 
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