Quad Cortex Mini

[SeeD]

I'm not exactly sure what your point is, genuinely. Products time to evolve and develop. Axe FX 2 wasn't perfect on launch. The FM3 was fairly fucked on launch as I recall, with a whole slew of them having a completely unusable headphone function. They blew those out on the cheap to people who didn't care about that functionality. Helix Floor was missing a lot of stuff on launch. So was Kemper. Stadium doesn't have everything it needs either.

I think the first year of the Axe Fx II the Axe Edit got a from ground up re wright, and the last few years i owned it Axe Edit crashed a lot, I did not use it much when recording. This was after the Axe Fx III got out. But it got fixed after a long time. Re-amping did not work as it should on my Axe FX II. Never got any word of help with it from FAS.

Head Phone on the FM3...
Audio driver on the FM3...

Axe Fx III Audio driver drifting...

 

[SillyOctpuss]

hahaha you old bastid.

We're going to get so much use out of that. You can use it to respond to anything

 

[Desertdweller]

Here’s one question for you guys, how do you set it up to get true stereo to the XLR outputs with a cab block, but send to output 3/4 without a cab? The stereo IR block allows for 2 IRs, but they can only pan 50% left and right for some bizarre reason.

In the Axe FX, you’d put the cab block last in the chain, make sure it is in stereo with the IRs panned hard left and hard right feeding output 1, then you’d break off a second line right before the cab block and feed that, sans cab block, to output 3.

The Nano Cortex method seems magical, because in the Nano Cortex you simply turned off the IR on output 2 and it ran your full effects with the cab block to output 1 and not to output 2. Easy, simple, done.

In the QC Mini, I can set a line to have IRs off, but I have to put the IR/Cab block on that line. In practice, I could probably set it up similarly to the Axe FX method with the extra line feeding Output 3/4, but it only allows the stereo IR blocks to go 50% left and right, not hard panned, so I can’t get true stereo effects if I put the cab block last.

I’m wondering if anyone has a specific trick they use to be able to feed a power amp and guitar cab with output 3/4 and send XLR to house with Output 1/2.

 

[Orvillain]

Here’s one question for you guys, how do you set it up to get true stereo to the XLR outputs with a cab block, but send to output 3/4 without a cab? The stereo IR block allows for 2 IRs, but they can only pan 50% left and right for some bizarre reason.

In the Axe FX, you’d put the cab block last in the chain, make sure it is in stereo with the IRs panned hard left and hard right feeding output 1, then you’d break off a second line right before the cab block and feed that, sans cab block, to output 3.

The Nano Cortex method seems magical, because in the Nano Cortex you simply turned off the IR on output 2 and it ran your full effects with the cab block to output 1 and not to output 2. Easy, simple, done.

In the QC Mini, I can set a line to have IRs off, but I have to put the IR/Cab block on that line. In practice, I could probably set it up similarly to the Axe FX method with the extra line feeding Output 3/4, but it only allows the stereo IR blocks to go 50% left and right, not hard panned, so I can’t get true stereo effects if I put the cab block last.

I’m wondering if anyone has a specific trick they use to be able to feed a power amp and guitar cab with output 3/4 and send XLR to house with Output 1/2.

On big QC, I'd do it exactly the same way as on the Axe FX ???? 1 line. Split to a second line. Choose the outputs for each signal I want to go to them ????

 

[RiffDuck]

I have a suspicion that NDSP pretty much owns a certain demographic. Perhaps close to all the neck-tattooed ones, but also a very strong following among young guitarists in general.

Ah yes, the "keeps getting caught miming impossible riffs on Instagram" demo

 

[Desertdweller]

On big QC, I'd do it exactly the same way as on the Axe FX ???? 1 line. Split to a second line. Choose the outputs for each signal I want to go to them ????

Right but it’s the order of operations that kills me if I want to maintain a true stereo signal to the XLR output. The IRs only being able to be panned 50% left or right is a VERY odd choice in the QC.

Option 1: I run a mono IR block right after the amp block, then effects after. I get true stereo effects but I have no cabless output.
Option 2: I run a stereo IR block after all my effects, with a send to line 4 before the cab block. Line 4 outputs to Output 3/4. I get my split I want, but I sacrifice true stereo as my effects now route through a stereo IR block that only allows IRs panned 50% left or right. This 50% is odd, how do I get around it?