NGD - The Kaizen Kometh as the 5th Ball

Warmart

Shredder
Messages
1,972
Some of you knew this was otw, and well, very surprisingly - FedEx actually delivered on a Saturday afternoon! w00t!

This is a limited edition Kaizen 6 in "Gallium". They use some type of real silver paint, let it oxidize a while and then they clear coat it. Finish feels smooth all over, it's all "under the covers". There's copper popping out in several focused places and in different light you can see a mild copper glaze in large places. No idea if it will continue to oxidize but I hope so!

Blown away, just like with all my Balls, they knocked it out of the park again! This time with a body shape and some enhancements that are a first, at least for them. Plays extremely well, rivaling anything I have - those little "enhancements" are working for me!

Has a very mild multi-scale that I'm sure nobody would complain about, the fretboard angles back to you for a little better visibility - it's actually pretty cool in practice, but a minor thing. Nice thin neck and some really well working (and smooth) Steinberger tuners! Makes the headstock nice and clean. Trem is decked, knobs have a rubber ring around the center. Proprietary EBMM pickups, standard HB in bridge and a mini HB in the neck. Took me a bit to adjust to them, they are really clear and I'd say a little more HiFi then I'm used to - and a little pickier with presets, definitely do their "own thing"!

Once I fixed the relief, that was high enough for the Chattanooga Choo Choo to ride under (I bought from a store in Chattanooga, lol), action came in at 2/64" across the board! No chokey bends, just very very slight buzz on the low E - but I'll be putting 10-52's on soon so I'll wait to worry about it.

On to the pictures. This is late about an hour before sunset, so not much for natural light, we'll see how it looks when some sun is coming in!

Really tough to see the copper on the horns and headstock (3 most focused spots of copper) in many of the pictures, vs what you see in person!
Kaizen Front Full.jpg



Kaizen Front Left.jpg

Kaizen Front Right.jpg

Kaizen Front 2.jpg
Kaizen Headstock Front - Resized.png
Kaizen Headstock Left - Resized.png
Kaizen Headstock Back - Resized.png
Kaizen Neck Back Full - Resized.png
Kaizen Neck Back Close - Resized.png
Kaizen Back - Resized.png
 
Some of you knew this was otw, and well, very surprisingly - FedEx actually delivered on a Saturday afternoon! w00t!

This is a limited edition Kaizen 6 in "Gallium". They use some type of real silver paint, let it oxidize a while and then they clear coat it. Finish feels smooth all over, it's all "under the covers". There's copper popping out in several focused places and in different light you can see a mild copper glaze in large places. No idea if it will continue to oxidize but I hope so!

Blown away, just like with all my Balls, they knocked it out of the park again! This time with a body shape and some enhancements that are a first, at least for them. Plays extremely well, rivaling anything I have - those little "enhancements" are working for me!

Has a very mild multi-scale that I'm sure nobody would complain about, the fretboard angles back to you for a little better visibility - it's actually pretty cool in practice, but a minor thing. Nice thin neck and some really well working (and smooth) Steinberger tuners! Makes the headstock nice and clean. Trem is decked, knobs have a rubber ring around the center. Proprietary EBMM pickups, standard HB in bridge and a mini HB in the neck. Took me a bit to adjust to them, they are really clear and I'd say a little more HiFi then I'm used to - and a little pickier with presets, definitely do their "own thing"!

Once I fixed the relief, that was high enough for the Chattanooga Choo Choo to ride under (I bought from a store in Chattanooga, lol), action came in at 2/64" across the board! No chokey bends, just very very slight buzz on the low E - but I'll be putting 10-52's on soon so I'll wait to worry about it.

On to the pictures. This is late about an hour before sunset, so not much for natural light, we'll see how it looks when some sun is coming in!

Really tough to see the copper on the horns and headstock (3 most focused spots of copper) in many of the pictures, vs what you see in person!
View attachment 39701


View attachment 39702
View attachment 39703
View attachment 39704View attachment 39705View attachment 39706View attachment 39707View attachment 39708View attachment 39709View attachment 39710
That's killer! I'm not usually one for overly angular guitars but this one is perfect in all the right ways. The pickup and hardware layout is :chef.
Congrats and enjoy that beast! :beer
 
Only played a couple of those but they were excellent. Love the tuners but I would say that;
View attachment 39715View attachment 39716
I have a GS 7 the guitar they were designed for.
So I don't recall ever seeing those tuners before (yes, I live under a rock)! Are they reliable? Do they fit most tuner holes in a headstock? I would love to replace the tuners on several of my guitars with those (PRS x 3, Hwy 1 Strat, MM Stingray Bass). Interested to hear about any positives/negatives you have had with them ;~))
 
So I don't recall ever seeing those tuners before (yes, I live under a rock)! Are they reliable? Do they fit most tuner holes in a headstock? I would love to replace the tuners on several of my guitars with those (PRS x 3, Hwy 1 Strat, MM Stingray Bass). Interested to hear about any positives/negatives you have had with them ;~))
The positive;
They have a 40/1 straight pull ratio.
They lock.
No backlash.
No windings.
The negative parts are mostly due to them being used on heads that were not designed for them.
The strings pull to the centre and this isn’t normal because the string is usually wrapped around the post. This would mean on a Strat the strings would not be in line to the tuners.
The other issue is they have a start and stop point in the travel so you must string up in a way so as to be “ in tune “ well before you reach the end of travel.
No hight staggering to accommodate straight heads
If used in the right way they are as good as it gets but they don’t always suit
 
On the Steinberger the deal with these issues by the head geometry and a really excellent knife edge nut . The nut has the lowest friction for trem operation of any ;
IMG_2016.jpeg

IMG_2017.jpeg

Love to see it make a comeback because it is utterly reliable.
If you’re wondering;
Each individual string sits on a stainless steel quadrant with a string groove. Each quadrant rocks in a vee shaped cradle, hence the “ knife edge.” Because each section is a quadrant neither the intonation nor the action is altered in any way. The string also stays in contact with the same part of the nut . Not dragging over the nut. Genius.
 
Last edited:
On the Steinberger the deal with these issues by the head geometry and a really excellent knife edge nut . The nut has the lowest friction for trem operation of any ;
View attachment 39720
View attachment 39721
Love to see it make a comeback because it is utterly reliable.
If you’re wondering;
Each individual string sits on a stainless steel quadrant with a string groove. Each quadrant rocks in a vee shaped cradle, hence the “ knife edge.” Because each section is a quadrant neither the intonation nor the action is altered in any way. The string also stays in contact with the same part of the nut . Not dragging over the nut. Genius.
Thanks for all that info! BTW, I am a lover of all things Ned Steinberger and have owned my XM2T bass since 1991 (it was built in 1989 I believe - S/N: N5950 and I am the second owner). But as I am sure you know, it is headless and therefore does not have similar tuning mechanisms and of course the nut is a different bird all together ;~)) Anyway, I appreciate the feedback and I will definitely look into those tuners (even though they are now being produced by one of the evil empires of guitar)!
 
Back
Top