EOengineer
Shredder
- Messages
- 1,573
Yeah those gain settings make sense for a Petrucci flavored C+. I wish I could dial it down for some of the “other” 2C+ tones.They compensate for this on the jp2c with the pull gain. Most people that play metal on a IIc or III set the input volume at 7 or 8. So these are the two fixed values on the gain knob on the jp2c for pushed / pulled. Petrucci says it's a bona-fide 2c in his demo video and it's based on his favorite IIc he owns.
My preference would have been a 90w simulclass variant instead of the 100w jp2c, but that's also probably why I get along better with the VII than I did with the JP2C.
Im with you on the Simul Class power sections.
Mark amps are great for high gain metal, but they’re so much more versatile than some people give them credit for.
It’s easy to forget that the Mark circuit started as a juiced up Fender Princeton. That DNA is there.I used to use my Mark IV for country gigs
It’s no coincidence we generally dial these in like a cranked blackface Fender - the more distorted the amp gets, the lower that bass knob goes to avoid the mud.
I can dial my Mark III lead channel down to a Fendery EOB tone. My old Studio Preamp did it even better IIRC. You can also use 5751 in the gain stages and clean it up a bit more.