Digitech Drop or FAS Virtual Capo

Stone

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TGF Recording Artist
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Howdy all,IF i want to use a 440 Std and drop it down to drop C is the Fractal VC any good or is it best to go with the Digitech Drop ?
or is it best to get an Axe and tune it to Drop C

Thanks all

:beer
 
Drop C is one step down from Drop D, as far as I know you can't go directly from E Standard to Drop C even with digital tools.

In my opinion it is always best to get a separate guitar for other tunings. I never liked what I hear from digital solutions, whether it is artifacts or the unavoidable latency.

BUT if it gets you through one song in your live set (definitely not studio recording) then a digital polyphonic pitch capo pedal is much lighter and smaller than a separate guitar, especially if it's already in your modeler of choice.
 
Drop C is one step down from Drop D, as far as I know you can't go directly from E Standard to Drop C even with digital tools.

In my opinion it is always best to get a separate guitar for other tunings. I never liked what I hear from digital solutions, whether it is artifacts or the unavoidable latency.

BUT if it gets you through one song in your live set (definitely not studio recording) then a digital polyphonic pitch capo pedal is much lighter and smaller than a separate guitar, especially if it's already in your modeler of choice.
It's always Just recording I dont gig unfortunately, So why isn't it good or recording ?
 
Digitech Drop sounds fine as long as you don’t drop more than a few semitones. Stone is correct about not having the ability to go from E std to Drop C though.

I use mine in rehearsals and live to go from C# to B and have never had an issue. Was hesitant til I saw the bassist from Cavalera Conspiracy using one for several tours in a row across multiple tunings with zero problems.

Also used it on both of my band’s studio recordings and have no complaints. Just makes it easier than lugging two guitars/basses, swapping em between songs, etc.
 
Digitech Drop sounds fine as long as you don’t drop more than a few semitones. Stone is correct about not having the ability to go from E std to Drop C though.

I use mine in rehearsals and live to go from C# to B and have never had an issue. Was hesitant til I saw the bassist from Cavalera Conspiracy using one for several tours in a row across multiple tunings with zero problems.

Also used it on both of my band’s studio recordings and have no complaints. Just makes it easier than lugging two guitars/basses, swapping em between songs, etc.
Stone is correct about not having the ability to go from E std to Drop C
That was James who pointed it out :)
 
What about a half step down can that work with the Virtual Capo for recordings ?
My Ibanez is tuned a 1/2 step down for some early VH but id also like to use the Ibanez for STD 440 tuning and dont feel like re doing a set up everytime so was wondering if this would work ?

Thanks
 
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I’ve used the Drop in live situations. It’s fine down to C# but lower than that it gets a bit wonky, with artifacts and metallic sounding.
 
Note- the Pitch Block/VC is going to be a little different from unit to unit with the AxeFX having the highest quality. When I was in that cover band last year for those whole 2 weeks I was using the VC in my FM9 nonstop, but wasn’t really going further than a whole step and in most cases was only going up or down a half-step. I haven’t used the VC since that time/since the FM9 has been updated to know how it’s changed.

That said, on a recording nothing is going to beat a guitar tuned to the pitch you need. I’ve done a bunch of bass tracks using the AxeFX’s VC and it does well enough in a mix, but I wouldn’t bother with guitars. This is a big reason I started ordering strings by the 3-pack; I’m regularly tuning my Strats and LP’s up and down depending on what I’m recording, it’s worth using a fresh pack of properly gauged strings for a recording, IMO.
 
I’ve used the helix equivalent live a few times going up/down within a half or whole step. It gets the job done. On close listening, is it exactly the same? Definitely not. Close enough for rock and roll in limited cases though.

I have had less success with the FM9, not confident enough in it for live use yet. I did find some settings last week that worked better for me, it might make the cut now although certain intervals still seemed to give it a hard time. Could just avoid those if I needed it live. More testing needed. The rack unit just got an update to virtual capo that may or may not make it to the floor units in a future release. Maybe that gets it the rest of the way there?

D
 
That was James who pointed it out :)
!
Season 3 Oops GIF by The Simpsons
 
It’s never going to be as good as a guitar in that tuning for a recording. So if you’re shooting for the stars with quality then no question get a guitar in that setup. But if it’s just a demo, low quality EP or home recording then taking a Drop D guitar down the Drop C should be passable. Both of those solutions are high quality just comes down to budget and how often you’ll use either.

For live use it’s a lot more passable, would be fine using pitch shifting instead of bringing multiple multiple guitars.
 
Just fyi, the Drop pedal isn’t your standard pitch shifter. There’s nothing else on the market that works as well as it does. Digitech might strike out a lot, but they hit a home run with the Drop.
 
You have an FM9; Try it for yourself and see how it sounds. Before I got my 7 string, I used it all the time for dropping 5 semitones, and in headphones, and just home practice, it sounded fine, with 1 exception- clean, arpeggiated passages. But even those, if the song was in D std (only dropping 1 full step), it was certainly good enough to not warrant buying a $250 pedal.
 
I've found with gainy tones the virtual capo can work well, but with clean there's a warble. I haven't found a pitch changer yet that works well on clean chords although I haven't used the Drop.

I tested out the latest and greatest Axe FX 3 firmware today against the NDSP Plini plugin and honestly NDSP was better. Fractal is better than the Kemper transpose but I wouldn't use any of them for recording.
 
Just fyi, the Drop pedal isn’t your standard pitch shifter. There’s nothing else on the market that works as well as it does. Digitech might strike out a lot, but they hit a home run with the Drop.

The AxeFX and Helix and QC pitch shifters are IME all about the same as the Drop. They all have little artifacts with a clean tone if you shift the pitch down enough, and they all have some latency, but they all sound good enough that it might get you through a song without changing guitars.
 
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