Black Friday Plugin Sales

I brought the spectre digital "cockblocker plugin. It was 50% off. Had been told it's an amazing gate for guitarists.

What I didn't know was the company had apparently been a Glen Fricker partnership/project with someone else. Now Fricker's out, it's said, but I really dislike his channel. The constant yelling and "I know better than you" attitude just feels overplayed, arrogant, mostly for the clicks, and for elevating oneself by scoring easy points against low hanging fruits.

But that aside. Maybe I shouldn't associate Fricker's channel with what the company is now, I thought. And he wasn't even the only person running it previously.

On to testing. If the plugin is good, it's good. So I sidechained the VST.

Unfortunately was very unimpressed. Played around with the deeper settings too, aside from the basic knob... and.. nah... choppy, glitchy, no matter what I did. For the life of me, could not find a proper balance with this gate. I don't know if the physical pedal (there is or was an equivalent) is any better. Maybe it is. I'm used to the sentry, isp decimator and fractal gates. These are what my expectations are built on.

That said, bear in mind that I'm new to gates in plugin form, so there's some elevated chance I did something wrong. I just doubt it. Checked that the sidechain worked properly, etc, and I'm not a total noob for setting up gates in general. Additionally, I compared against the internal tonex gate and don't feel the cockblocker was an upgrade.

My usage goal for such a gate is an improvement over the tonex gate. I find myself using the tonex plugin more and more lately, and a great gate makes a meaningful difference in my recordings. There's been times I've used no gate at all, but it just improves my tracks when I do.

Then I thought.. there must be better options than the cockblocker. Maybe they cost more, but this is important for me.

So after the "maturely" named cockblocker, I got the Sir standardGATE. They offer a package of 3 plugins for 50 euros for black Friday. I have used the Sir audio standardCLIP for few years with great results, so I was curious about their gate plugin. Don't think I had tried this before.

So I sidechained the standardGATE. Juggled a little bit with the settings, like I typically expect to do for metal tones. Result?

Oh man. Now that's legit. I even dialed in some absurdly high gain tones I'd never use, for shits and giggles, and got very usable results. No weird glitchiness, easy to tweak and find a good balance, just great all around. I can get pretty much exactly what I want from a gate. The UI isn't flashy, but it's simple to wrap my head around, and there's much else it can achieve too if you go digging.

So my plugin noise gate search is over. Don't see need for better (if it even exists).

I asked for a refund for the cockblocker. They offer no trial version, but refunds within 14 days are given "for any reason". Maybe I'm wrong about all this and did use the gate wrongly nonetheless -- but what I do know for sure is the Sir standardGATE, in comparison, works wonders for me. No contest ime.
 
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Also, Melda production has big discounts right now. I typically have issues with their plugins not having intuitive UIs, but this varies, and the tonal results never disappointed me. Maybe you can find something useful in there. Specifically MfeeformEqualizer is 55% off. I have used this for ages for EQ matching with very good results.

 
Universal Audio has their plugin sales again, the 10 plugin Mixtape was a good value last time.

Unfortunately the Ocean Ways plugin is not available in that one, and otherwise I've run out of plugins that I'd really want. You can get the Ocean Ways in the "Custom 2, Custom 3+3, Custom 6+6" bundles but those are more expensive. I'll just wait, maybe next year it'll be available in the cheaper bundles.
 
Universal Audio has their plugin sales again, the 10 plugin Mixtape was a good value last time.

Unfortunately the Ocean Ways plugin is not available in that one, and otherwise I've run out of plugins that I'd really want. You can get the Ocean Ways in the "Custom 2, Custom 3+3, Custom 6+6" bundles but those are more expensive. I'll just wait, maybe next year it'll be available in the cheaper bundles.
Best way to get Ocean Way atm is to upgrade an existing bundle to Signature V3 (or ultimate). Beyond that it’s from doing a custom bundle where it’ll be $50 per plugin or less.

IMO any UAD plugin for $50 a pop is good value already.

Just because it triggers my OCD, it’s called Ocean Way studio, not Ways. It’s the former name of this iconic studio:


A lot of great albums were made there under its various names although I’m not sure how much use it gets under its current ownership.

The last time I was there was 2016 for some party:
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and the time before in 2015:
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Not a massive discount if you care just for scaler 3, and don't know if you guys have need for this, but scaler 3 is 25% off and also includes some extra app, possible extra discount for EQ app, etc etc.

I have traditionally very much disliked writing music this way (and with midi keys). But I may take the plunge and see what I come up with.

 
Anyone have an idea if there's some good, highly discounted package of plugin instruments I can use with midi controller?

No need for anything latest and greatest. Just a quality package of piano, synth, drum sounds. Bcause I'm new to this midi thang, kind of lost.

Got an arturia microlab and want to experiment writing tracks this way.
 
Anyone have an idea if there's some good, highly discounted package of plugin instruments I can use with midi controller?

No need for anything latest and greatest. Just a quality package of piano, synth, drum sounds. Bcause I'm new to this midi thang, kind of lost.

Got an arturia microlab and want to experiment writing tracks this way.
Do you have any kind of bundle upgrade for Arturia? They aren't the most comprehensive for drums but it's an insanely awesome collection of instruments that is perfect to cover all bases. For drums I'd go to Splice and find some sample packs from there, at least initially.
 
Do you have any kind of bundle upgrade for Arturia? They aren't the most comprehensive for drums but it's an insanely awesome collection of instruments that is perfect to cover all bases. For drums I'd go to Splice and find some sample packs from there, at least initially.
I currently have analog lab intro (didn't even know this was included) and it's 69 euros to upgrade to the analog lab pro.
 
I currently have analog lab intro (didn't even know this was included) and it's 69 euros to upgrade to the analog lab pro.
I'd check out V Collection if your budget can stretch to it. If you want to save some money, you could buy a 2nd hand licence for an older version. Each new release usually adds around 4 or 5 new synths (occasionally remastering older models). You can easily get an older version and still cover more than enough bases, and upgrade later whenever it makes sense. Check Knobcloud or KVR for 2nd hand marketplaces

Their upgrade prices are a bit like IK where new users get a way better deal - often the upgrade prices are only slightly better than buying new. Still, V Collection is an awesome bundle and great value at any price.
 
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I'd check out V Collection if your budget can stretch to it. If you want to save some money, you could buy a 2nd hand licence for an older version. Each new release usually adds around 4 or 5 new synths (occasionally remastering older models). You can easily get an older version and still cover more than enough bases, and upgrade later whenever it makes sense.

Their upgrade prices are a bit like IK where new users get a way better deal - often the upgrade prices are only slightly better than buying new. Still, V Collection is an awesome bundle and great value at any price.
Thanks a ton for the information. About to check this out.
 
Anyone have an idea if there's some good, highly discounted package of plugin instruments I can use with midi controller?

No need for anything latest and greatest. Just a quality package of piano, synth, drum sounds. Bcause I'm new to this midi thang, kind of lost.

Got an arturia microlab and want to experiment writing tracks this way.
IK Sample tank or NI Kontakt?
 
I've been off sick at home since yesterday (the C test also just showed a faint, barely visible line. Hopefully it's just false alarm), so I have plenty of time to look at offers. Good grief, the list of FX plugins and VIs I'm interested in already amounts to over 1000 EUR...
 
Some great Toontrack deals too, lots of stuff that's never been on sale before.
Yes, I was surprised to see that the Field of Rock SDX is on sale. It's an amazing sounding library! And at 48 EUR, the Progressive Foundry SDX is an absolute steal. If I didn't already have both libraries, I'd definitely get them now. I'm also considering getting the Superior Drummer 2 factory library (New York Studios Vol. 1 SDX).
 
Best Service's Chris Hein libraries are heavily discounted. So far, I only have Orchestral Strings Compact, but this is by far my favourite string library. Now I'm considering upgrading to the fully-fledged Orchestra Complete edition, which includes brass and woodwinds, as well as much more string articulations.
 
Kazrog is having a sale, though it's not a huge % off when last I looked. However, I previously bought MHB Green (Michael Brauer's one-off compressor), the official Retro compressor emulation, and their filter emulation (I forgot what it's called).

These all sound quite good. I use MHB Green all the time on vocals. For me, it puts them right in the sweet spot. The Retro compressor has also become a favorite.

I have a ridiculous number of plugins, having been in the business for a very long time, and the set has grown to unmanageable proportions.

But I honestly find that most plugin compressors sound very much alike; their frequency response /emphasis differences seem to create most of the differences that are audible.

But a few stand out to me, and these two Kazrogs have a definite sound. A long-owned UAD plugin compressor I also think has its own thing going on is the UA LA-2 and its variants. I love the way it sounds. It just works on lots of sources, as the hardware does (only my opinion, here). I have most of their plugs, and this one gets by far the most use.

Also on the UA front, I upgraded from the earlier version of Ocean Way to the new one for $50. The new one has more adjustments and features; I'm not convinced the audio quality is nicer, but my use of it has been limited to how long I've had it - just a couple of weeks.

I've been experimenting with Harrison's Mixbus Pro DAW. Unlike most DAWs it's a console emulation DAW first and foremost.

I mostly use Logic, which I find to work best for the work I do (scoring to picture - most of the folks I know who do this work also use it). However, I also have Luna; I've been known to port MIDI and audio files there for more of a 'mixer' vibe. I like the sound, but don't really love the workflow.

I used Performer, and later, Digital Performer for many years, but started long ago in computer recording with the precursor to Pro Tools, then called 'Sound Designer', the first commercially available computer recording platform I know of. I was able to do simple editing on it, but computers were so lame then that the most I could get was two tracks (and I had top of the line computers loaded with a then-astounding 8 megabytes of RAM! lol).

When Roland came out with their excellent sounding DM80 system in the mid '90s, I was still recording most everything analog, but the DM80 added 8 tracks of digital, used MIDI time code, and could synch with my machine synchronizer-controlled Analog audio and Sony 3/4" video machines. I was introduced to this one by a couple of TV composers who scored to picture, and we all liked it. It had its own control surface and fader pack.

I've also used the dedicated-hardware-sofware Fairlight system in an audio post facility I consulted for years ago. I had a partner who used Cubase, so I'm very familiar with that workflow as well.

I guess I've been to a lot of workstation rodeos.

At first Mixbus 11 was somewhat disappointing for its antique MIDI features, and I didn't wind up using it. But 11.1 Uprades MIDI and has some other new stuff.

The workflow suits me better than Luna (obviously a personal quirks kind of thing, as are most DAW choices), and I like the audio quality of the built-in console and buses that come up without having to select plugins.

These can be switched off individually, and standard AU and VST plugins can be used instead, but the whole point of this DAW is to emulate a Harrison 32C. The Pro version lets you hit a button and switch the various processing elements to an SSL 9000 (SSL owns Harrison, and the plugs and hardware are UK products).

For those whose idea of an interesting DAW is to have an automatically formatted console, including buses, and have built in Harrison and SSL Input, Gate, Compressor, and EQ sections, individually selectable, that you can drive with a knob on the console's fader strip to sound a little more analog, without having to buy any plugins - $150 when not on sale, this isn't a bad way to go!

Porting over MIDI files from Logic is child's play, and it does sound very - dare I say it - analog. Harrison claims that their engineers do a better job with emulations of their proprietary hardware than third parties for a variety of reasons. Regardless, the result sounds good.

I recently saw that UA has an emulation of a 32C channel strip. Maybe I'll try it out in Logic and Luna, and compare mixes.

Another feature of Mixbus is tighter integration with their own 500 series rack than one normally finds between DAW and hardware. I don't have the rack, so can't tell you a thing about it, but it is intriguing.

Too much information, right? :rofl
 
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