Are There Exercises To Increase How "Quick" Your Fingers Are?

@TSJMajesty, this YT channel popped up on my feed the other day. I'm going to try to work through some and see if they help any. Pretty new channel, first video was 2 months ago.

 
@TSJMajesty, this YT channel popped up on my feed the other day. I'm going to try to work through some and see if they help any. Pretty new channel, first video was 2 months ago.

Cool. Thanks for thinking of me! :beer
 
It's really about forming a cognitive map in your brain, more than anything to do with "fingers".

Some people refer to this as "finger memory", but those people are regarded..

Fingers have no memory. Once the patterns, scales, riffs are in your brain - it's just a matter of dexterity.
 
Pssh. All you need is the KEYS TO THE LAMBORGHINI!
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I'd start by working on minimising tension. This is a great exercise that is also nice because you're playing music rather than a bunch of finger calisthenics.



I will watch this one again, but I started applying some of his principles, just by being more conscious of how little you really have to push down when fretting and he is absolutely on point with this. I thought I had a light touch until I really started to go as minimal as I can and found that I only need about 25% of what I usually do. Going to start practicing this more in my routine and see how it goes,

Thanks, "you filthy animal"!

(I'm also planning on looking over all of the other stuff you guys have been posting. Looks like a lot of great stuff has been posted so far!
 
I will watch this one again, but I started applying some of his principles, just by being more conscious of how little you really have to push down when fretting and he is absolutely on point with this. I thought I had a light touch until I really started to go as minimal as I can and found that I only need about 25% of what I usually do. Going to start practicing this more in my routine and see how it goes,

Thanks, "you filthy animal"!

(I'm also planning on looking over all of the other stuff you guys have been posting. Looks like a lot of great stuff has been posted so far!

That realization was my “keys to the Lamborghini”.
 
I love it when I read anything about technique, or listen to someone giving instructions on specific things to do/watch for, and find I'm already doing some of them. Makes me feel like I'm on the right track! :banana

One of the things I noticed (among a couple) from that article, that I was already doing, was from time to time taking a step backwards and truly assessing how I'm playing- the mechanics, how the pick reacts..., really anything that makes me ponder if my technique is following the things I've learned, or if I'm unaware that I'm temporarily reverting back to bad habits, usually because I'm more focused on something else.

As I make progress, and can see real improvements, I always take some time to go "back", either by slowing something down, or focusing strictly on only 1 or 2 aspects of my execution, and then move forward again. It helps to reinforce things, so that as I do get better/faster/cleaner/more accurate, I can shift my concentration away from the former parts of the process and onto the more difficult things, since they then become more and more automatic.

This entire journey is the most enjoyable part for me, at this time in my guitar-playing life. Especially when, like tonight, I go back to something I haven't played in a while, and find that it's getting easier, as well as better.

Tonight it was the string-skipping, arpeggio end solo from Dream Theater's Innocence Faded. That whole section is one of the coolest-sounding solos I've ever heard! But it's really hard. I mean, just the memorization part is a real challenge.

And I am terrible at learning this stuff by ear (and do not care to get better at that part, haha), so I am SO glad we have great tabs available to us these days! There was only 1 single note on songsterr.com that was wrong in that ending solo. Which I was able to find, by ear, by playing along with the song.
The thing about the ear….

Learning to hear fast enough, as in the rhythm aspects of a fast line so you can mumble it goes a long way helping with muscle memory (which has nothing to do with muscles but neural pathways).
 
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I learned a lot by watching the video I put together demoing my IIC+ vs my JP2C. I found that I tend to put my thumb in a position more conducive to bends and i kind of venture away from the more classical style with the thumb behind the neck. Ideally, I believe you should be able to seamlessly shift your thumb position depending on what you are doing.

Between that and trying to use minimal pressure and loosening my grip on the pick, I’m already noticing some improvement in just a couple of days. Just need to stick with it long enough to more fully develop and internalize those adjustments, and of course start doing a lot more videos of myself playing so that I can be more aware of what my fingers are actually doing.
 
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