I’m not sure where the studio .22 comes in. I’ve never seen any images of him using that amp. I suspect it’s internet wisdom confusing that amp with the Mesa Studio Preamp, which was a mainstay in his rig for pretty much his whole career.wasnt his sound a studio .22?
I’ve read this but Butch is mistaken, confusing the Mesa studio preamp for the studio .22.i think it came directly from bruce vig. fromw what i know about it (indirectly anyhow) was that he used its preamp and put it into a solid state power amp.![]()
We’ve talked about this before, but I really have no idea how he made that setup work with that power amp. My theory is that he was using the recording outs on the preamp, which crudely simulate a power amp and cab.![]()
Kurt walking away from the Mesa Studio Pre and Crown Power Base, with his head down, after one of his idols
tells him his Rig "sounded like dogshit."
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I’m not 100% sure their ampsounds where the pivot point of succes![]()
Well, they obviously had a sound that spoke to a generation, which is a formidabele achievement!definitely moreso on record than live if that was the end product- gakk! i never saw them live, but gads the vid above is terrible sounding. at least the songs were good![]()
Well, they obviously had a sound that spoke to a generation, which is a formidabele achievement!
I just don’t think it was particular amps that contributed to that, moreso: songs, arrangements, choices when tracking, mixing.
They also came at a time when the sound on the radio was the very polished, heavily produced stuff. By comparison Nirvana felt raw and exciting, which of course resonated with guys like me who were growing up in that era.Well, they obviously had a sound that spoke to a generation, which is a formidabele achievement!
I just don’t think it was particular amps that contributed to that, moreso: songs, arrangements, choices when tracking, mixing.