TSJMajesty
Rock Star
- Messages
- 5,653
Like, take a basic scale shape, I'll use that run up lick to the solo in Don't Stop Believin:
G: 13-14-16
B: 14-16-17
E: 14-16
As I worked that up to speed, I found getting off the G-16 with my pinky, and landing the B-14 sloppy at times. So I tried a shift instead, and now I use it regularly, with most any fast riff/run.
What I did was to shift my 1st finger from G-13 to 14, because it got my fingers exactly in place for the remaining notes. It ended up being cleaner.
So now, when I'm learning any riff that I know is going to be a challenge at tempo, I'll look for any position shifts that set my fingers right where they need to be for whatever follows, on the next string.
That way, I don't have to do all that work, only to find that as I creep up to the fast tempo, I end up with a trouble-spot, and I have to go back and re-learn it, using a shift.
Anybody else do this sort of thing?
G: 13-14-16
B: 14-16-17
E: 14-16
As I worked that up to speed, I found getting off the G-16 with my pinky, and landing the B-14 sloppy at times. So I tried a shift instead, and now I use it regularly, with most any fast riff/run.
What I did was to shift my 1st finger from G-13 to 14, because it got my fingers exactly in place for the remaining notes. It ended up being cleaner.
So now, when I'm learning any riff that I know is going to be a challenge at tempo, I'll look for any position shifts that set my fingers right where they need to be for whatever follows, on the next string.
That way, I don't have to do all that work, only to find that as I creep up to the fast tempo, I end up with a trouble-spot, and I have to go back and re-learn it, using a shift.
Anybody else do this sort of thing?
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