RIP John Sykes

Tone Recipe:

John Sykes' Whitesnake '87 & Blue Murder album tone (most stuff) -


'78 Gibson LPC with Gibson Dirty Fingers in bridge

2x Mesa-Boogie Mark III Coliseums (180 watts)

Mesa-Boogie 4x12s with C90s on top EV-12Ls on bottom

Lexicon PCM41

...you're using the Lexicon PCM41 to make a stereo signal with just a tiny bit of modulation/delay (a la micropitch).

Then you lay down the guitar part (in stereo).

Then you lay it down again (manual doubling) in stereo... in essence, giving you a total of 4 (four) guitar tracks (1x L&R + 1x L&R)!

“For the rhythm on ‘Still of the Night’, I used my 1978 Black Les Paul Custom”, Sykes said. “At that time, I had a Dirty Fingers pickup in the bridge. I plugged in two Mesa/Boogie Coliseum - which are great-sounding amps. I ran the gain at about 4, so the tone was heavy but clear [...] and I tracked in stereo with a slight delay between the two sides. Then I doubled the part.”

Straight from the horse's mouth, Bob Rock - "I went over and I just did what I did. I split John’s sound with a delay and a little modulation, which I had been doing and I split his sound. I think it was a Mark IV Mesa Boogie head and the EV Celestion cabs. What I did is he had his sound through one and then I split it with a DDL and made the other cab using that as a slave with a slight modulation. I just put up flat mics in the balance and miked it and he went, “Oh, my god. That’s it.”
 
Last edited:
Back
Top