Watched it last night, and remember him talking about the Zoom briefly. I totally agree with you, tone is in the mind. Use what gets your point across. Funny thing is, when I listen to Gilmour, what he's using is not in my initial thoughts at all. It's the song, melodic structure and his phrasing that grabs me first. He's the secret sauce, not his gear.AFAIK and understand he uses it at home for making demos but sometimes demo parts leak into the records.
Live he has is usual rig.
In the interview he also say that he records stuff on his own (they talk about some piano parts or vocals) and the fact that his sounds are always stellar backups what I always say:
tone is the mind, in the brain.
Meaning that basically what you hear in your mind, what you imagine is what makes your sound as you sound.
Gear is just there to get you to the point (or get in the way, sometimes)
The intro to āComing Back To Lifeā has been a target of speculation/guesswork among Gilmour gear nerds for a while, the leads that pop up throughout are pretty easily identifiable as a Tele/Tube Driver, but after Gilmour mentioned he used the Zoom on some of the song, my assumption is that itās the intro. It sounds like a direct signal more than anything else.
Yep, that's why I've always prefered the PULSE version tone on the intro then, always thought on the album was a quite sterile clean
Lessons to be learned for sure.Maybe he just made music with what he knew and loved, instead of buying and selling the same gear over and over...?
The intro to āComing Back To Lifeā has been a target of speculation/guesswork among Gilmour gear nerds for a while, the leads that pop up throughout are pretty easily identifiable as a Tele/Tube Driver, but after Gilmour mentioned he used the Zoom on some of the song, my assumption is that itās the intro. It sounds like a direct signal more than anything else.
I watched your short on itThis would explain why a video I did 4 years ago is blowing up
View attachment 33378
Thought the POD sounded better.
It backs up what I've said a few times here-- in the studio, anything goes.