Snags
Groupie
- Messages
- 96
I'm currently bandless and lazy, so tend to write on acoustic and never get round to working up full songs (drums, bass, keys etc.) which means when performing live I usually just stick to the acoustic. Occasionally I'll Billy Bragg it with just me and an electric, but the more electric focused songs are a bit empty without a full band.
Some of them, however, do work on an acoustic, solo, but could do with just a wee bit of grit to give them the right colour. So for the ultimate lazy git approach I'm wondering about stuffing some kind of dirt pedal on the acoustic board.
However, previous experiments have just resulted in an inevitable screaming howl of feedback, often even with the strings muted. And yet I've seen people do this successfully.
So what's the secret? I'm developing a theory that going for fuzz or distortion rather than overdrive might help, but only have a limited number of pedals to play with, most of which are essentially various flavours of overdrive.
Or is the secret to just not care about the feedback and go for it anyway? It's all rock and roll, right?
Some of them, however, do work on an acoustic, solo, but could do with just a wee bit of grit to give them the right colour. So for the ultimate lazy git approach I'm wondering about stuffing some kind of dirt pedal on the acoustic board.
However, previous experiments have just resulted in an inevitable screaming howl of feedback, often even with the strings muted. And yet I've seen people do this successfully.
So what's the secret? I'm developing a theory that going for fuzz or distortion rather than overdrive might help, but only have a limited number of pedals to play with, most of which are essentially various flavours of overdrive.
Or is the secret to just not care about the feedback and go for it anyway? It's all rock and roll, right?